http://sro.sussex.ac.uk/ http://sro.sussex.ac.uk/images/sitelogo.png http://sro.sussex.ac.uk/ Sun, 12 Nov 2023 01:39:51 +0000 Sun, 12 Nov 2023 01:39:51 +0000 en Tue, 26 Jan 2021 08:37:03 +0000 http://sro.sussex.ac.uk/id/eprint/96733/ http://sro.sussex.ac.uk/id/eprint/96733/ Haddon, Mimi (2021) Matrices of ‘Love and theft’: Joan Baez imitates Bob Dylan. Twentieth-Century Music. pp. 1-31. ISSN 1478-5730 Thu, 03 Dec 2020 13:57:49 +0000 http://sro.sussex.ac.uk/id/eprint/95456/ http://sro.sussex.ac.uk/id/eprint/95456/ Hughes, Ed, Ficarra, Evelyn and Haddon, Mimi, eds. (2020) Composing the historical. REFRAME. Thu, 01 Aug 2019 09:21:22 +0100 http://sro.sussex.ac.uk/id/eprint/85227/ http://sro.sussex.ac.uk/id/eprint/85227/ Haddon, Mimi (2020) What is post-punk?: Genre and identity in avant-garde popular music, 1977-82. Michigan Publishing, University of Michigan Press, Michigan. ISBN 9780472131822 Fri, 05 May 2017 13:13:53 +0100 http://sro.sussex.ac.uk/id/eprint/67659/ http://sro.sussex.ac.uk/id/eprint/67659/ Haddon, Mimi (2015) Paul Anka sings 'Smells like teen spirit'. In: Turner, Katherine L (ed.) This is the sound of irony: music, politics and popular culture. Ashgate popular and folk music series . Ashgate, pp. 159-172. ISBN 9781472442598 Fri, 05 May 2017 12:59:45 +0100 http://sro.sussex.ac.uk/id/eprint/67704/ http://sro.sussex.ac.uk/id/eprint/67704/ Haddon, Mimi (2017) Dub is the new black: modes of identification and tendencies of appropriation in late 1970s post-punk. Popular Music, 36 (2). pp. 283-301. ISSN 0261-1430 Fri, 05 May 2017 12:34:40 +0100 http://sro.sussex.ac.uk/id/eprint/67707/ http://sro.sussex.ac.uk/id/eprint/67707/ Haddon, Mimi (2019) Not playing properly: amateurism as generic choice in three postpunk case studies: the Slits, Lora Logic, and the Raincoats. Women and Music, 23 (1). pp. 159-183. ISSN 1090-7505 Fri, 05 May 2017 12:30:22 +0100 http://sro.sussex.ac.uk/id/eprint/67711/ http://sro.sussex.ac.uk/id/eprint/67711/ Haddon, Mimi (2015) Sanctuaries for social outsiders: a queer archive of feelings in songs by the Smiths. In: Haworth, Catherine and Colton, Lisa (eds.) Gender, age and musical creativity. Ashgate, pp. 155-170. ISBN 9781472430854 Fri, 05 May 2017 12:27:16 +0100 http://sro.sussex.ac.uk/id/eprint/67710/ http://sro.sussex.ac.uk/id/eprint/67710/ Haddon, Mimi (2019) Warp’s music videos: affective communities, genre, and gender in electronic/dance music’s visual aesthetic. Journal of British Cinema and Television, 16 (4). pp. 571-590. ISSN 1743-4521