Sussex Research Online: No conditions. Results ordered -Date Deposited. http://sro.sussex.ac.uk/ http://sro.sussex.ac.uk/images/sitelogo.png Sussex Research Online: No conditions. Results ordered -Date Deposited. http://sro.sussex.ac.uk/ Fri, 17 Nov 2023 06:45:43 +0000 Fri, 17 Nov 2023 06:45:43 +0000 en Mon, 05 Sep 2016 09:43:44 +0100 Chaconne for Jonathan Harvey http://sro.sussex.ac.uk/id/eprint/63140/ http://sro.sussex.ac.uk/id/eprint/63140/ Hughes, Ed (2013) Chaconne for Jonathan Harvey. [Composition] Mon, 19 Oct 2015 07:49:05 +0100 Brutalist wallpaper and the independent group http://sro.sussex.ac.uk/id/eprint/46637/ http://sro.sussex.ac.uk/id/eprint/46637/ Highmore, Ben (2013) Brutalist wallpaper and the independent group. Journal of Visual Culture, 12 (2). pp. 205-221. ISSN 1470-4129 Fri, 17 Jan 2014 08:52:39 +0000 When the flame dies - audio and video recording http://sro.sussex.ac.uk/id/eprint/47382/ http://sro.sussex.ac.uk/id/eprint/47382/ Hughes, Ed and Morris, Roger (2013) When the flame dies - audio and video recording. [Audio] Fri, 06 Dec 2013 07:56:39 +0000 Musicality and the act of theatre: developing musicalised dramaturgies for theatre performance http://sro.sussex.ac.uk/id/eprint/47177/ http://sro.sussex.ac.uk/id/eprint/47177/ Frendo, Mario (2013) Musicality and the act of theatre: developing musicalised dramaturgies for theatre performance. Doctoral thesis (PhD), University of Sussex. Mon, 18 Nov 2013 08:45:31 +0000 On creativity and calculation: attempts at and rejections of formal definitions of creativity [Review] editors: Jon McCormack and Mark d’Inverno (2012) Computers and creativity http://sro.sussex.ac.uk/id/eprint/47038/ http://sro.sussex.ac.uk/id/eprint/47038/ Magnusson, Thor (2013) On creativity and calculation: attempts at and rejections of formal definitions of creativity [Review] editors: Jon McCormack and Mark d’Inverno (2012) Computers and creativity. Computational Culture, 3. ISSN 2047-2390 Fri, 01 Nov 2013 10:56:52 +0000 The threnoscope: a musical work for live coding performance http://sro.sussex.ac.uk/id/eprint/46859/ http://sro.sussex.ac.uk/id/eprint/46859/ Magnusson, Thor (2013) The threnoscope: a musical work for live coding performance. In: First International Workshop on Live Programming in conjunction with ICSE 2013, May 18th - 26th, 2013, San Francisco, CA. Fri, 01 Nov 2013 10:53:10 +0000 Design futures: the grid - a transdisciplinary education http://sro.sussex.ac.uk/id/eprint/46860/ http://sro.sussex.ac.uk/id/eprint/46860/ Kermik, Jüri, Magnusson, Thor, Wilson, Michael and Brooker, Graeme (2013) Design futures: the grid - a transdisciplinary education. Knowing (by) Designing, Sint-Lucas School of Architecture Ghent-Brussels/Belgium Faculty of Architecture KU Leuven, May 22-23, 2013. Published in: Verbeke, Johan and Pak, Burak, (eds.) Knowing (by) Designing: Proceedings of the conference ‘Knowing (by) Designing’. LUCA, Sint-Lucas School of Architecture / KU Leuven, Faculty of Architecture ISBN 9789081323864 Fri, 23 Aug 2013 08:00:35 +0100 Portfolio of compositions with commentary http://sro.sussex.ac.uk/id/eprint/45847/ http://sro.sussex.ac.uk/id/eprint/45847/ Fricker, Simon Ronald Ashley (2013) Portfolio of compositions with commentary. Doctoral thesis (PhD), University of Sussex. Wed, 17 Jul 2013 10:32:23 +0100 A new glimmer of light: opera, metaphysics and mimesis http://sro.sussex.ac.uk/id/eprint/45681/ http://sro.sussex.ac.uk/id/eprint/45681/ Till, Nicholas (2013) A new glimmer of light: opera, metaphysics and mimesis. In: Symonds, Dominic and Karantonis, Pamela (eds.) The legacy of opera: reading music theatre as experience and performance. Themes in theatre (7). Rodopi, Amsterdam, pp. 39-64. ISBN 9789042036918 Fri, 21 Jun 2013 08:28:38 +0100 Aesthetic experience in music: case studies in composition, performance and listening http://sro.sussex.ac.uk/id/eprint/45255/ http://sro.sussex.ac.uk/id/eprint/45255/ Wilkins, Suzanne Mary (2013) Aesthetic experience in music: case studies in composition, performance and listening. Doctoral thesis (PhD), University of Sussex. Tue, 26 Mar 2013 13:30:47 +0000 Nina Simone http://sro.sussex.ac.uk/id/eprint/41569/ http://sro.sussex.ac.uk/id/eprint/41569/ Elliott, Richard (2013) Nina Simone. Icons of pop music . Equinox Publishing, Sheffield. ISBN 9781845539887 Mon, 18 Mar 2013 08:19:35 +0000 Stefano Gervasoni's Pas si: staging a music theatre work based on a text by Samuel Beckett http://sro.sussex.ac.uk/id/eprint/42960/ http://sro.sussex.ac.uk/id/eprint/42960/ Till, Nicholas (2013) Stefano Gervasoni's Pas si: staging a music theatre work based on a text by Samuel Beckett. Contemporary Theatre Review, 23 (2). pp. 220-232. ISSN 1048-6801 Mon, 18 Mar 2013 08:18:03 +0000 Stravinsky's sideways glance: neoclassicism, dialogised structures and the reflected discourse of Bach http://sro.sussex.ac.uk/id/eprint/42958/ http://sro.sussex.ac.uk/id/eprint/42958/ McKay, Nicholas (2013) Stravinsky's sideways glance: neoclassicism, dialogised structures and the reflected discourse of Bach. Journal of Music and Meaning (12). ISSN 1478-5722 Wed, 13 Mar 2013 12:14:14 +0000 The gangster films: three silent films by Yasujiro Ozu http://sro.sussex.ac.uk/id/eprint/44016/ http://sro.sussex.ac.uk/id/eprint/44016/ Ozu, Yasujiro and Hughes, Ed (2013) The gangster films: three silent films by Yasujiro Ozu. [Video] Mon, 11 Mar 2013 12:33:36 +0000 So transported: Nina Simone, ‘My Sweet Lord’ and the (un)folding of affect http://sro.sussex.ac.uk/id/eprint/41564/ http://sro.sussex.ac.uk/id/eprint/41564/ Elliott, Richard (2013) So transported: Nina Simone, ‘My Sweet Lord’ and the (un)folding of affect. In: Thompson, Marie and Biddle, Ian (eds.) Sound, music, affect: theorizing sonic experience. Bloomsbury Academic, London, pp. 75-90. ISBN 9781441114679 Tue, 05 Mar 2013 14:21:49 +0000 Portfolio of musical composition: my approach to composing: the development, selection and application of techniques and systems in my music http://sro.sussex.ac.uk/id/eprint/43879/ http://sro.sussex.ac.uk/id/eprint/43879/ Morgan-Williams, Ian (2013) Portfolio of musical composition: my approach to composing: the development, selection and application of techniques and systems in my music. Doctoral thesis (PhD), University of Sussex.