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Senses and Sensibility in Byzantium
Byzantine art tends to be considered in almost exclusively visual terms. However, Byzantine writings about works of art appeal to all the senses and aim to involve the listener (who may also be looking at the object described) in an emotional engagement with the image and with the scene it depicts. This paper explores some of the ways in which the five physical senses were engaged in the overall sensory experience of worship in a Byzantine church, notably Hagia Sophia in Istanbul, discussing how the senses seem to have played spiritual as much as physical roles in the church. The Byzantines do not appear to have perceived the interaction between the senses as synaesethic, but rather as an interlinking and an interplay. This emphasis on the sensory nature of images suggests a corporeal dimension to religious experience, offering the human body an intrinsic role in the worship of the divine.
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Publication status
- Published
Journal
Art HistoryISSN
0141-6790Publisher
Wiley-BlackwellExternal DOI
Issue
4Volume
27Page range
522-537Pages
16.0Department affiliated with
- Art History Publications
Full text available
- No
Peer reviewed?
- Yes
Legacy Posted Date
2012-02-06Usage metrics
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