Silent accusations, incriminating voices: not speaking one's mind in the infernal machine of Stravinsky's Oedipus Rex

McKay, Nicholas (2004) Silent accusations, incriminating voices: not speaking one's mind in the infernal machine of Stravinsky's Oedipus Rex. In: Third Marks Conference of the Institute for Hellenic and Roman Studies: 'Stravinsky/Cocteau/Oedipus: Myth, Music and Modernism: a colloquiem on the Stravinsky/Cocteau Oedipus Rex', University of Bristol.

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Abstract

Stravinsky/Cocteau/Oedipus: Myth, Music and Modernism
A colloquium on the Stravinsky/Cocteau 'Oedipus Rex'
Wednesday 7th July 2004; The Victoria Rooms, University of Bristol
The Third Marks Conference of the Institute for Hellenic & Roman Studies,
University of Bristol, in association with the Centre for the Classical
Tradition.
The aim of this conference is to bring together scholars studying the
different traditions of twentieth-century music, modern French drama and
the reception of classical culture, both to explore different aspects of
this particular work and to consider its place in the wider cultural
context.

Item Type: Conference or Workshop Item (Paper)
Schools and Departments: School of Media, Film and Music > Music
Depositing User: Nicholas McKay
Date Deposited: 06 Feb 2012 19:23
Last Modified: 28 Jun 2012 15:43
URI: http://srodev.sussex.ac.uk/id/eprint/20368
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