Bontea, Adriana (2011) Conceptual invention. Paragraph, 34 (2). pp. 217-232. ISSN 0264-8334

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Abstract

By taking into account those operations of modernity initiated by Stendhal and Czanne, Manet and Proust, which were continued by Merleau-Ponty and Lvi-Strauss, this paper considers Claude Imberts writings from the perspective of the formative role that literature and painting had and still have in mapping a new rationality. The aim is to show how the philosopher reintegrates such priceless experiences, captured by peculiar literary forms, syntagms, and juxtaposition of genres or pictorial manners, into a conceptual and stylistic invention affecting the very core of philosophical activity.

Item Type:	Article
Schools and Departments:	School of English > English
Subjects:	P Language and Literature > PN Literature (General)
Depositing User:	Adriana Bontea
Date Deposited:	06 Feb 2012 20:14
Last Modified:	10 Jul 2012 15:02
URI:	http://srodev.sussex.ac.uk/id/eprint/24865

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