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Bontea, Adriana (2011) Conceptual invention. Paragraph, 34 (2). pp. 217-232. ISSN 0264-8334
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Official URL: http://dx.doi.org/10.3366/para.2011.0018
Abstract
By taking into account those operations of modernity initiated by Stendhal and Czanne, Manet and Proust, which were continued by Merleau-Ponty and Lvi-Strauss, this paper considers Claude Imberts writings from the perspective of the formative role that literature and painting had and still have in mapping a new rationality. The aim is to show how the philosopher reintegrates such priceless experiences, captured by peculiar literary forms, syntagms, and juxtaposition of genres or pictorial manners, into a conceptual and stylistic invention affecting the very core of philosophical activity.
Item Type: | Article |
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Schools and Departments: | School of English > English |
Subjects: | P Language and Literature > PN Literature (General) |
Depositing User: | Adriana Bontea |
Date Deposited: | 06 Feb 2012 20:14 |
Last Modified: | 10 Jul 2012 15:02 |
URI: | http://srodev.sussex.ac.uk/id/eprint/24865 |