Magnusson, Thor (2011) The musical score: the system and the interpreter. In: International Symposium on Electronic Art (ISEA2011), 14-21 September 2011, Istanbul.

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Abstract

This paper introduces live coding as a new path in the evolution of the musical score. Whilst being the perfect vehicle for the performance of algorithmic music, it also trans forms the compositional process itself into a live event, where play and generativity be come essential. Live coding is presented as a highly technologized artistic practice, often embracing graphical elements and language syntaxes foreign to standard programming languages.

Item Type:	Conference or Workshop Item (Paper)
Schools and Departments:	School of Media, Film and Music > Music
Subjects:	M Music. Literature on music. Musical instruction and study > M Music
Depositing User:	Thor Magnusson
Date Deposited:	01 Nov 2013 10:08
Last Modified:	01 Nov 2013 10:08
URI:	http://srodev.sussex.ac.uk/id/eprint/46866

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