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An epistemic dimension space for musical devices
The analysis of digital music systems has traditionally been characterized by an approach that can be defined as phenomenological. The focus has been on the body and its relationship to the machine, often neglecting the system’s conceptual design. This paper brings into focus the epistemic features of digital systems, which implies emphasizing the cognitive, conceptual and music theoretical side of our musical instruments. An epistemic dimension space for the analysis of musical devices is proposed.
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Publication status
- Published
File Version
- Published version
Journal
Proceedings of the 2010 Conference on New Interfaces for Musical ExpressionISSN
2220-4806Publisher
University of Technology SydneyPublisher URL
Volume
2010Page range
43-46Pages
186.0Event name
NIME 2010, New Interfaces for Musical ExpressionEvent location
University of Technology, Sydney, AustraliaEvent type
conferenceEvent date
15-18 June, 2010Book title
Proceedings of the 2010 Conference on New Interfaces for Musical ExpressionPlace of publication
SydneyDepartment affiliated with
- Music Publications
Full text available
- No
Peer reviewed?
- Yes
Legacy Posted Date
2014-01-27First Open Access (FOA) Date
2014-01-27First Compliant Deposit (FCD) Date
2014-01-25Usage metrics
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