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Proceedings of the 2016 International Conference on Live Interfaces

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posted on 2023-06-09, 03:36 authored by Thor Magnusson, Chris Kiefer, Sam Duffy
The proceedings of the Live Interfaces conference are the outcome of a five-day gathering at the University of Sussex's Attenborough Centre for the Creative Arts in June 2016. The biennial ICLI conference is interdisciplinary and practice-based, unique in that it focuses on the role of performance interfaces across all of the performing arts. This year it became clear that ICLI has become an established platform for people operating in diverse sections of the arts to meet and discuss the embodied use of technology in live performance. With a focus on practice, the conference emphasised the role of performances, workshops and installations as well as papers and posters. With submissions from musicians, dancers, roboticists, brain scientists, visual artists, philosophers, animators, sculpturists, and more, the proceedings illustrate the range of activities encompassed by this lively platform for knowledge exchange and new performance practices. The proceedings were peer reviewed and include long and short papers, doctoral colloquium papers, performance installation and workshop descriptions, as well as some documentation of the event itself. Much of the conference was also filmed and can be found on the YouTube channel linked to above.

Funding

Sonic Writing: Technologies of Musical Expression, Notation and Encoding; G1769; AHRC-ARTS & HUMANITIES RESEARCH COUNCIL; AH/N00194X/1

History

Publication status

  • Published

File Version

  • Published version

Publisher

Emute Lab + REFRAME Books

Volume

3

Pages

349.0

Place of publication

Brighton

ISBN

9780993199684

Series

Live Interfaces

Department affiliated with

  • Music Publications

Full text available

  • No

Peer reviewed?

  • Yes

Editors

Sam Duffy, Chris Kiefer, Thor Magnusson

Legacy Posted Date

2016-10-19

First Compliant Deposit (FCD) Date

2016-10-19

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