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The faces we lost

media
posted on 2023-06-09, 08:06 authored by Piotr CieplakPiotr Cieplak
The 1994 genocide in Rwanda claimed almost a million lives in just 100 days. The world stood by as men, women and children were being hacked to death by machetes. When the international community finally decided it was time to pay attention, it did so through memorable photographs of mutilated bodies and seas of nameless refugees. But many Rwandans remember their loved ones through images of life, not death: a passport or I.D. card photo, an unguarded snap taken in the garden or a group portrait from a wedding or a baptism. The surviving images are precious objects, with so many destroyed and lost forever. A lot of people have only a solitary image of their loved ones. Many have none at all. ? The Faces We Lost follows nine Rwandans (survivors, relatives of victims and professional memory-makers), who guide us through their stories and share their experiences, remembrance and images. It is the first documentary to explore the many functions of these priceless photographs, and one of the few films to engage with Rwandans as users of images, rather than simply their subjects. ? These deeply personal stories are all marked by the terrible experience the genocide and its legacy have left on their owners. Each is unique to the person who tells it. But The Faces We Lost also explores the professional aspect of memory-making in Rwanda: The Genocide Archive (which holds thousands of original images donated by the victims’ relatives) and the Kigali Genocide Memorial (where many of the photographs are on public display). As the private and the public meet and as each person recounts their relationship with the photographs they have or they wish they had, The Faces We Lost moves to paint a complex memorial landscape of contemporary Rwanda.

Funding

‘Personal archives of trauma and violence. Image and memory in the digital age – Argentina and Rwanda; British Academy

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  • Media and Film Publications

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2017-09-27

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