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Sonic ghosting: developing an interface between space/place/memory and sound/music/noise
This presentation explores how ‘sonic ghosting’ works seek to offer an interface between sound/music/noise and space/place/memory. It offers a brief outline of the sonic ghosting concept, along with an overview of how creative fracture and multimodal presentation are used to explore the multiple intersecting temporalities of the present soundscape. In our everyday experience of place, there are occasions when we are reminded of the pasts or unfulfilled potential futures of the spaces that we occupy. This presentation suggests how a sonic ghosting practice might address the problematic nature of relating a visual experience – seeing the ruined shell of a factory in the post industrial landscape – with the fact that what we hear is the present soundscape, and provide an interface by which the listener can experience the multiple sonic temporalities of space/place/memory. Finally it briefly outlines an example of how the work has developed by giving an overview of the installation work ‘Ghosting the Periphery’.
History
Publication status
- Published
File Version
- Published version
Journal
Proceedings of the 2016 International Conference on Live InterfacesPublisher
Emute Lab & REFRAME BooksPage range
219-223Event name
International Conference on Live InterfacesEvent location
University of SussexEvent type
conferenceEvent date
29 June - 3 July, 2016Place of publication
BrightonISBN
9780993199684Department affiliated with
- Music Publications
Full text available
- No
Peer reviewed?
- Yes
Editors
Thor Magnusson, Sam Duffy, Chris KieferLegacy Posted Date
2018-04-27First Compliant Deposit (FCD) Date
2018-04-25Usage metrics
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