Wounding poppies: hyper-commemoration and aesthetic interventions

Withers, D-M (2019) Wounding poppies: hyper-commemoration and aesthetic interventions. Critical Military Studies. ISSN 2333-7486

[img] PDF (This is an Accepted Manuscript of an article published by Taylor & Francis in Critical Military Studies on 04.02.2019, available online: https://www.tandfonline.com/doi/full/10.1080/23337486.2019.1575123) - Accepted Version
Restricted to SRO admin only until 4 August 2020.

Download (72kB)

Abstract

In Britain the centenary of the First World War has generated new state-funded aesthetic, cultural, and educational activities. The red poppy has often been the focal point of artistic interventions, as artists have created works that respond to the potency of a symbol that has become, within a culture of hyper-commemoration, a ubiquitous part of everyday life. This Encounters piece offers a personal reflection on the aesthetic and social meanings of the red poppy, exploring how an intimate relationship with the mnenomic object is traversed by the public politics of the British nation-state. It contrasts two different artistic approaches to the red poppy – Blood Swept Lands and Seas of Red by Paul Cummins and Gail Ritchie’s Wounded Poppies – to argue for the importance of artistic practices that can contest and re-contextualize familiar symbolic objects that have accrued narrow, and affectively persuasive, political meanings.

Item Type: Article
Schools and Departments: School of Media, Film and Music > Media and Film
Subjects: H Social Sciences > HM Sociology
H Social Sciences > HM Sociology > HM0621 Culture
N Fine Arts > N Visual arts (General) For photography, see TR
Depositing User: D-M Withers
Date Deposited: 19 Mar 2019 12:08
Last Modified: 19 Mar 2019 12:08
URI: http://srodev.sussex.ac.uk/id/eprint/81483

View download statistics for this item

📧 Request an update