B

Berry, David M (2012) Understanding digital humanities. Palgrave Macmillan, Basingstoke. ISBN 9780230292642

E

Evans, Martin and Branche, Raphaëlle (2008) Where does colonial history end? In: Gildea, Robert and Simonin, Anne (eds.) Writing contemporary history. Edward Arnold, London. ISBN 0340950005

G

Grant, Catherine (2012) Bonus Tracks: The making of 'Touching the film object' and 'Skipping ROPE (through Hitchcock’s joins)'. University of St. Andrews, Film Studies.

Grant, Catherine (2012) Film and moving image studies: re-born digital? Some participant observations. Frames, 1 (1).

Grant, Catherine (2014) The shudder of a cinephiliac idea? Videographic film studies practice as material thinking. ANIKI: Portuguese Journal of the Moving Image, 1 (1). pp. 49-62. ISSN 2183-1750

H

Highmore, Ben (2015) Culture. Key Ideas in Media & Cultural Studies . Routledge, Abingdon, Oxon. ISBN 9780415672740 (Submitted)

Highmore, Ben (2016) Formations of feelings, constellations of things. Cultural Studies Review, 22 (1). pp. 144-167. ISSN 1837-8692

Highmore, Ben (2017) Georges Perec and the significance of the insignificant. In: Wilken, Rowan and Clemens, Justin (eds.) The afterlives of Georges Perec. University of Edinburgh Press, Edinburgh, pp. 105-119. ISBN 9781474401241

Highmore, Ben (2014) Metaphor City. In: Darroch, Michael and Marchessault, Janine (eds.) Cartographies of Place: Navigating the Urban. McGill-Queen’s University Press, Montreal, pp. 25-40. ISBN 9780773543034

Highmore, Ben (2018) Pubs, pads, squats: vernacular space and the historical sensorium. In: Sandin, Gunnar and Frichot, Helene (eds.) Architecture in effect. Volume 2 after effects: theories and methodologies in architecture. Actar, Barcelona, pp. 326-337. ISBN 9781940291994

Highmore, Ben (2016) Taste as feeling. New Literary History, 47 (4). pp. 547-566. ISSN 0028-6087

L

Long, Seth and Baker, James (2018) The elusive digital/critical synthesis. In: Debates in Digital Humanities 2018. University of Minnesota Press. (Accepted)

N

Norman, Sally-Jane (2016) Dancing on Occam's razor: expressive movement in/and place. In: Fernandes, Carla (ed.) Multimodality and performance. Cambridge Scholars Publishing, Newcastle upon Tyne. ISBN 9781443894654

Norman, Sally-Jane (2015) Oskar Schlemmer's programmatic gesture research. In: Salazar Sutil, Nicolas and Popat, Sita (eds.) Digital movement: essays in motion technology and performance. Palgrave studies in performance and technology . Palgrave Macmillan, London, pp. 21-34. ISBN 9781137430403

O

Owens, Patricia (2017) The international origins of Hannah Arendt’s historical method. Political Power and Social Theory, 32. pp. 37-62. ISSN 0198-8719

S

Smithies, James, Sichani, A M and Westling, Carina (2017) Preserving 30 years of digital humanities work: the experience of King’s Digital Lab. In: DPASSH 2017, 14-15 June 2017, University of Sussex.

W

Westling, Carina (2016) Postdigital efficiency in Interaction Design. International Conference on Live Interfaces, University of Sussex, 29 June - 3 July 2016. Published in: Proceedings of the 2016 International Conference on Live Interfaces. 103-108. Experimental Music Technologies (EMuTe) Lab, Falmer, UK. ISBN 9780993199684