B

Bright, Danny (2017) Conjuring the sonic ghosts of industrial and post-industrial spaces. In: Heaney, Gwen (ed.) The post-industrial landscape as site for creative practice: material memory. Cambridge Scholars Publishing, Newcastle-upon-Tyne, UK, pp. 45-52. ISBN 9781443899376

Bright, Danny (2016) Sonic ghosting: developing an interface between space/place/memory and sound/music/noise. International Conference on Live Interfaces, University of Sussex, 29 June - 3 July, 2016. Published in: Magnusson, Thor, Kiefer, Chris and Duffy, Sam, (eds.) Proceedings of the 2016 International Conference on Live Interfaces. 219-223. Emute Lab & REFRAME Books, Brighton. ISBN 9780993199684

C

Collins, N. (2006) BBCut2: Incorporating Beat Tracking and On-the-fly Event Analysis. Journal of New Music Research, 35 (1). pp. 63-70. ISSN 0929-8215

Collins, N. (2006) Investigating computational models of perceptual attack time. In: Baroni, M., Addessi, A.R., Caterina, R. and Costa, M. (eds.) Proceedings of the 9th International Conference on Music Perception & Cognition. ICMPC and ESCOM, Bologna, Italy, pp. 923-929. ISBN 8873951554

Collins, N. (2006) Towards a Style-Specific Basis for Computational Beat Tracking. In: Baroni, M,, Addessi, A.R., Caterina, R. and Costa, M. (eds.) Proceedings of the 9th International Conference on Music Perception & Cognition. ICMPC and ESCOM, Bologna, Italy, pp. 461-467. ISBN 8873951554

Collins, Nick (2006) Composing to subvert content retrieval engines. Array (Winter). pp. 37-41.

Collins, Nick (2003) Generative Music and Laptop Performance. Contemporary Music Review, 22. pp. 67-79. ISSN 0749-4467

Collins, Nick, McLean, Alex, Rohrhuber, Julian and Ward, Adrian (2003) Live Coding Techniques for Laptop Performance. Organised Sound, 8 (3). pp. 321-330. ISSN 1355-7718

Collins, Nick and Olofsson, Fredrik (2006) klipp av: Live Algorithmic Splicing and Audiovisual Event Capture. Computer Music Journal, 30 (2). pp. 8-18. ISSN 0148-9267

D

De Mille, Charlotte (2011) "Turning the earth above a buried memory": dismembering and remembering Kandinsky. In: De Mille, Charlotte (ed.) Music and Modernism, c 1849 - 1950. Cambridge Scholars Press, pp. 182-203. ISBN 9781443826969

Dennis, Flora (2014) Material culture and sound: a sixteenth-century handbell. In: Gerritsen, Anne and Riello, Giorgio (eds.) Writing material culture history. Writing history . Bloomsbury Academic, London. ISBN 9781472518569

Dennis, Flora (2016) Music and space. In: Fenlon, Iain and Wistreich, Richard (eds.) The Cambridge companion to sixteenth-century music. Cambridge University Press, Cambridge. (Accepted)

Dennis, Flora (2017) Musical sound and material culture. In: Hamling, Tara, Richardson, Catherine and Gaimster, David (eds.) The Routledge handbook of material culture in early modern Europe. Routlege, UK. ISBN 9781409462699

Dennis, Flora (2017) Organology and material culture. Journal of the American Musical Instrument Society. (Accepted)

E

Elliott, Richard (2015) ‘Across the evening sky’: the late voices of Sandy Denny, Judy Collins and Nina Simone. In: Haworth, Catherine and Colton, Lisa (eds.) Gender, Age and Musical Creativity. Ashgate, Farnham, pp. 141-153. ISBN 9781472430854

Elliott, Richard (2010) Fado and the place of longing : loss, memory and the city. Ashgate Popular and Folk Music . Ashgate Publishing Ltd, Farnham, UK. ISBN 978-0-7546-6795-7

Elliott, Richard (2013) Nina Simone. Icons of pop music . Equinox Publishing, Sheffield. ISBN 9781845539887

Elliott, Richard (2011) Public consciousness, political conscience and memory in Latin American nueva canción. In: Clarke, D and Clarke, E (eds.) Music and Consciousness: Philosophical, Psychological and Cultural Perspectives. Oxford University Press, Oxford. ISBN 9780199553792

Elliott, Richard (2013) So transported: Nina Simone, ‘My Sweet Lord’ and the (un)folding of affect. In: Thompson, Marie and Biddle, Ian (eds.) Sound, music, affect: theorizing sonic experience. Bloomsbury Academic, London, pp. 75-90. ISBN 9781441114679

Elliott, Richard (2014) 'Time and distance are no object': holiday records, representation and the nostalgia gap. Volume!, 11 (1). pp. 131-143. ISSN 2117-4148

Elliott, Richard (2016) Words take the place of meaning: sound, sense and politics in the music of Robert Wyatt. In: Marc, Isabelle and Green, Stuart (eds.) The Singer-Songwriter in Europe: Paradigms, Politics and Place. Routledge, London, pp. 51-64. ISBN 9781472452108

Elliott, Richard (2014) ‘You can't just say “words”’: literature and nonsense in the work of Robert Wyatt. In: Litpop: writing and popular music. Ashgate, Farnham, pp. 49-62. ISBN 9781472410979

Elliott, Richard (2014) The choreography of longing: songs, screens and space in Carlos Saura’s 'Fados'. Quaderns de Cine, 9. pp. 71-78. ISSN 1888-4571

Elliott, Richard (2015) The late voice: time, age and experience in popular music. Bloomsbury Academic, New York. ISBN 9781628921182

Elliott, Richard (2009) The same distant places: Bob Dylan's poetics of place and displacement. Popular Music and Society, 32 (2). pp. 249-270. ISSN 0300-7766

G

Grant, Catherine (2014) The shudder of a cinephiliac idea? Videographic film studies practice as material thinking. ANIKI: Portuguese Journal of the Moving Image, 1 (1). pp. 49-62. ISSN 2183-1750

Grierson, Mick and Kiefer, Chris (2014) Contemporary approaches to BCMI using P300 event related potentials. In: Miranda, Eduardo Reck and Castet, Julien (eds.) Guide to brain-computer music interfacing. Springer. ISBN 9781447165835

H

Hendy, David (2017) Desert Island Discs and British emotional life. In: Brown, Julie, Cook, Nicholas and Cottrell, Stephen (eds.) Defining the discographic self : "Desert Island Discs" in context. Proceedings of the British Academy (211). Oxford University Press, Oxford, pp. 155-172. ISBN 9780197266175

Hendy, David (2013) Noise: a human history of sound and listening. Profile Books, London. ISBN 9781781250891

Hopkins, Tim (2012) BBC Music Walk. [Performance]

Hopkins, Tim (2009) Give me your blessing for I go to a foreign land. [Performance]

Hopkins, Tim (2015) Objects at an exhibition. [Show/Exhibition]

Hopkins, Tim (2014) Occupation. [Artefact]

Hopkins, Tim (2015) Occupation: Song 5. [Video]

Hopkins, Tim (2014) Song two - The sleeping-mat ballad. [Composition]

Hopkins, Tim J (2012) Astonished and Terrified Draft Full Programme. In: Astonished And Terrified: Opera and the Transformation of the World by Technology, 22-23rd June, University of Sussex.

Hughes, Ed (2012) Dark Formations: music by Ed Hughes. [Audio]

Hughes, Ed (2012) Three melodramas. [Video]

Hughes, Ed and Thynne, Lizzie (2018) Symphonic Visions: music for silent films by Ed Hughes. [Video]

Hughes, Ed and Zuza, Aitor Antepara (2007) Battleship Potemkin: a contemporary score. [Video]

Hurtado, Enrike and Magnusson, Thor (2016) Notating the non-notateable: digital notation of txalaparta practice. Second International Conference on Technologies for Music Notation and Representation, Anglia Ruskin University, Cambridge, UK, 27-29 May 2016. Published in: Hoadley, Richard, Fober, Dominique and Nash, Chris, (eds.) International Conference on Technologies for Music Notation and Representation. 2 44-49. Anglia Ruskin University, Cambridge. ISBN 9780993146114

J

Jordanous, Anna and Keller, Bill (2012) What makes musical improvisation creative? Journal of Interdisciplinary Music Studies, 6 (2). pp. 151-175. ISSN 1307-0401

K

Kiefer, Chris (2019) Luuma - live set. [Performance]

Kiefer, Chris (2014) Musical instrument mapping design with Echo State Network. New Interaces for Musical Expression, Goldsmiths, London, June 2014. Published in: Proceedings of the International Conference on New Interfaces for Musical Expression. 293-298. ISSN 2220-4806

Kiefer, Chris and Chevalier, Cecile (2018) Towards new modes of collective musical expression through audio augmented reality. New Interfaces for Musical Expression, Virginia Tech, Virginia, USA, June 3 - 6, 2018. Published in: Proceedings of the International Conference on New Interfaces for Musical Expression. Association for Computing Machinery ISSN 2220-4806

Kiefer, Chris and Magnusson, Thor (2019) Live coding machine learning and machine listening: a survey on the design of languages and environments for live coding. ICLC 2019 International Conference on Live Coding, Media Lab Prado, Madrid, 16-18th January 2019. Published in: Proceedings of the International Conference on Live Coding. ICLC

M

Magnusson, Thor (2006) Affordances and constraints in screen-based musical instruments. NordiCHINordic Conference on Human-Computer Interaction, Oslo, Norway, 14-18 October, 2006. Published in: Mørch, Anders, Morgan, Konrad, Bratteteig, Tone, Ghosh, Gautam and Svanaes, Dag, (eds.) Proceedings of NordiCHI: The Nordic conference on Human-computer interaction: changing roles. 441-444. ACM, New York. ISBN 9781595933256

Magnusson, Thor (2014) Algorithmic notation: scores and timelines. In: Di Stanze Music Festival, November 1st, 2014, Leeds.

Magnusson, Thor (2011) Algorithms as scores: coding live music. Leonardo Music Journal, 21. pp. 19-23.

Magnusson, Thor (2015) Code scores in live coding practice. TENOR 2015: First International Conference on Technologies for Music Notation and Representation, Paris, France, 28-30 May, 2015. Published in: Battier, Marc, Bresson, Jean, Couprie, Pierre, Davy-Rigaux, Cécile, Fober, Dominique, Geslin, Yann, Genevois, Hugues, Picard, François and Tacaille, Alice, (eds.) TENOR 2015: International Conference on Technologies for Music Notation and Representation. 1 (1) 134-139. Institut de Recherche en Musicologie ISBN 9782955290507

Magnusson, Thor (2010) Come se emborrachar un ordenador. Sonic Ideas / Ideas Sónicas, 2 (2). ISSN 2317-9694

Magnusson, Thor (2017) Contextualizing musical organics: an ad-hoc organological classification approach. NIME 2017, Copenhagen, May 14-20. Published in: Proceedings of New Interfaces for Musical Expression. University of Aalborg

Magnusson, Thor (2010) Designing constraints: composing and performing with digital musical systems. Computer Music Journal, 34 (4). pp. 62-73. ISSN 0148-9267

Magnusson, Thor (2018) Ergodynamics and a semiotics of instrumental composition. Tempo, 73 (287). pp. 41-51. ISSN 0040-2982

Magnusson, Thor (2018) Ergomimesis: towards a language describing instrumental transductions. ICLI 2018. International Conference on Live Interfaces, Porto, Portugal, June 14-16, 2018. Published in: Alberto Gomes, José Alberto, Carvalhais, Miguel and Penha, Rui, (eds.) Proceedings: ICLI 2018, 4th International Conference on Live Interfaces. Inspiration, Performance, Emancipation.. 78-85. Universidade do Porto, Porto. ISBN 9789897461705

Magnusson, Thor (2008) Expression and time: the question of strata and time management in art practices using technology. In: de Valk, Marloes and Mansoux, Aymeric (eds.) FLOSS + Art Book. goto10, Poitiers, pp. 232-247.

Magnusson, Thor (2014) Herding cats: observing live coding in the wild. Computer Music Journal, 38 (1). pp. 8-16. ISSN 0148-9267

Magnusson, Thor (2005) IXI software: open controllers for open source audio software. ICMC 2005: International Computer Music Conference, Barcelona, Spain, 4-10 September, 2005. Published in: Free Sound: The ICMC 2005 Conference Proceedings. International Computer Music Association, San Francisco. ISSN 2223-3881 ISBN 9780971319233

Magnusson, Thor (2007) Icelandic experiments. In: Bjurestam, Maria, Hägglund, Maria, Petersson, Mona and Persson, Annika Ruth (eds.) LARM : från munhåla till laptop : ljud i nordisk konst : from mouth cavity to laptop : the sound of nordic art. Kabusa Böcker, Stockholm. ISBN 9789189680968

Magnusson, Thor (2014) Improvising with the threnoscope: integrating code, hardware, GUI, network, and graphic scores. NIME 2014 (New Interfaces for Musical Expression), Goldsmiths, University of London, Jun 30-Jul 4, 2014. Published in: Caramiaux, Baptiste, Tahiroğlu, Koray, Fiebrink, Rebecca and Tanaka, Atau, (eds.) Proceedings of the Internation Conference on New Interfaces for Musical Expression. Goldsmiths University of London, London. ISSN 2220-4792 ISBN 9781906897291

Magnusson, Thor (2011) Interface investigations: the thinking behind tools for musical thinking. In: Collins, Nick, Wilson, Scott and Cottle, David (eds.) The SuperCollider book. MIT Press, Massachussets. ISBN 9780262232692

Magnusson, Thor (2015) Interfacing sound: visual representation of sound in musical software instruments. In: ICSRiM Student Conference on Music, Multimedia and Electronics (iscMME), June 15th, 2015, Leeds.

Magnusson, Thor (2017) Interfacing sound: visual representation of sound in musical software instruments. In: Bovermann, T, de Campo, A, Egermann, H, Hardjowirogo, S I and Weinzierl, S (eds.) Musical instruments in the 21st century: identities, configurations, practices. Springer, pp. 153-166. ISBN 9789811029509

Magnusson, Thor (2012) Interview with Thor Magnusson. In: The digital musician: 2nd edition. Routledge, London. ISBN 9780415806596

Magnusson, Thor (2017) Musical organics: a heterarchical approach to digital organology. Journal of New Music Research, 46 (3). pp. 286-303. ISSN 0929-8215

Magnusson, Thor (2009) Of epistemic tools: musical instruments as cognitive extensions. Organised Sound, 14 (2). pp. 168-176. ISSN 1355-7718

Magnusson, Thor (2019) [Review] Tom Garner (2018) Echoes of other worlds: sound in virtual reality. International Journal of Performance Arts and Digital Media. ISSN 1479-4713

Magnusson, Thor (2006) Screen-based musical instruments as semiotic machines. New Interfaces for Musical Expression (NIME07), New York, NY, USA, June 6-10, 2007. Published in: Proceedings of the 2006 Conference on New interfaces for Musical Expression. 162-167. IRCAM ISSN 2220-4806 ISBN 2844263143

Magnusson, Thor (2015) Sight and sound: visualizing music in software instruments. In: Ableton Loop Summit, October 30 - November 1, 2015, Berlin.

Magnusson, Thor (2018) Sound and music in networked media. In: Bull, Michael (ed.) Routledge Companion to Sound Studies. Routledge Media and Cultural Studies Companions . Routledge. ISBN 1138854255 (Accepted)

Magnusson, Thor (2018) Threnoscope. [Artefact]

Magnusson, Thor (2011) When instruments become architecture: on liquefying frozen music. Wergo.

Magnusson, Thor (2008) Working with sound. Digital Artists Handbook..

Magnusson, Thor (2010) An epistemic dimension space for musical devices. NIME 2010, New Interfaces for Musical Expression, University of Technology, Sydney, Australia, 15-18 June, 2010. Published in: Proceedings of the 2010 Conference on New Interfaces for Musical Expression. 2010 43-46. University of Technology Sydney, Sydney. ISSN 2220-4806

Magnusson, Thor (2011) ixi lang: a SuperCollider parasite for live coding. International Computer Music Conference, University of Huddersfield, UK, 31 July - 5 August 2011. Published in: Proceedings of International Computer Music Conference 2011. 503-506. Michigan Publishing ISSN 2223-3881

Magnusson, Thor (2010) ixi lang: a constraint system for live coding. International Symposium on Electronic Art, Ruhr, Germany, 20-29 August, 2010. Published in: Funke, Judith, Riekeles, Stefan and Broeckmann, Andreas, (eds.) Proceedings of the 16th International Symposium on Electronic Art. 198-200. Revolver Publishing, Berlin. ISBN 9783868951035

Magnusson, Thor (2007) The ixiQuarks: merging code and GUI in one creative space. International Computer Music Conference, Copenhagen, Denmark, 27 August - 1 September, 2007. Published in: Proceedings of the International Computer Music Conference 2007. 2007 332-339. Michegan Publishing ISSN 2223-3881

Magnusson, Thor (2011) The musical score: the system and the interpreter. In: International Symposium on Electronic Art (ISEA2011), 14-21 September 2011, Istanbul.

Magnusson, Thor (2013) The threnoscope: a musical work for live coding performance. In: First International Workshop on Live Programming in conjunction with ICSE 2013, May 18th - 26th, 2013, San Francisco, CA.

Magnusson, Thor and Hurtado, Enrike (2009) The phenomenology of musical instruments: a survey. eContact, 10 (4).

Magnusson, Thor and Hurtado Mendieta, Enrike (2007) The acoustic, the digital and the body: a survey on musical instruments. NIME07: New Interfaces for Musical Expression, New York, NY, USA, June 6-10, 2007. Published in: Proceedings of the 2007 Conference on New Interfaces for Musical Expression. 94-99. Association for Computing Machinery, New York. ISSN 2220-4806

Magnusson, Thor and Kirkegaard, Jacob (2005) Söngvar Sólvindanna. In: Sondergaard, Morten, Rastas, Perttu and Norberg, Bjorn (eds.) Get real: real time + art + theory + practice + history. George Braziller, Copenhagen. ISBN 0807615641

Magnusson, Thor and Magnusson, Runar (2009) SameSameButDifferent v.02 – Iceland. Rafskinna - DVD Magazine.

Magnusson, Thor and McLean, Alex (2018) Performing with patterns of time. In: Dean, Roger and McLean, Alex (eds.) Oxford Handbook of Algorithmic Music. Oxford University Press, Oxford. ISBN 9780190226992

Magnusson, Thor, McLean, Alex and Collins, Nick (2011) Live coding DVD. [Video]

McKay, Nicholas (2013) Stravinsky's sideways glance: neoclassicism, dialogised structures and the reflected discourse of Bach. Journal of Music and Meaning (12). ISSN 1478-5722

McLean, Alex, Magnusson, Thor, Ng, Kia, Knotts, Shelly and Armitage, Joanne (2015) Proceedings of the 1st International Conference on Live Coding. International Conference on Live Coding, 1 (1). ICSRiM, School of Music, Leeds. ISBN 9780853163404

O

Oliver, Benjamin (2010) Portfolio of musical composition: integration in music: controlling diverse methods of expression within the context of the globalisation of musical culture. Doctoral thesis (DPhil), University of Sussex.

R

Robinson, Lucy and Webb, Pete (2014) The 2011 riots. Democratic Audit [weblog article, 16 May 2012].

T

Takano, Keiko (2011) Theatrical work using Japanese text: portfolio of compositions and commentary. Doctoral thesis (DPhil), University of Sussex.

Thornton, Chris (2011) Generation of folk song melodies using Bayes transforms. Journal of New Music Research, 40 (4). pp. 293-312. ISSN 0929-8215

W

Webb, Sharon, Kiefer, Chris, Jackson, Ben, Baker, James and Eldridge, Alice (2017) Mining oral history collections using music information retrieval methods. Music Reference Services Quarterly, 20 (3-4). pp. 168-183. ISSN 1058-8167

Wright, Tom F (2018) Taking the 5.15: Mods, social mobility and the Brighton train. In: Thurschwell, Pamela (ed.) Quadrophenia and Mod(ern) Culture. Palgrave Studies in the History of Subcultures and Popular Music . Palgrave Macmillan. ISBN 978-3-319-64753-1