E

Elliott, Richard (2015) ‘Across the evening sky’: the late voices of Sandy Denny, Judy Collins and Nina Simone. In: Haworth, Catherine and Colton, Lisa (eds.) Gender, Age and Musical Creativity. Ashgate, Farnham, pp. 141-153. ISBN 9781472430854

Elliott, Richard (2010) Fado and the place of longing : loss, memory and the city. Ashgate Popular and Folk Music . Ashgate Publishing Ltd, Farnham, UK. ISBN 978-0-7546-6795-7

Elliott, Richard (2016) ‘My tongue gets t-t-t-’: words, sense, and vocal presence in Van Morrison's It's too late to stop now. Twentieth-Century Music, 13 (1). pp. 53-76. ISSN 1478-5722

Elliott, Richard (2014) 'Time and distance are no object': holiday records, representation and the nostalgia gap. Volume!, 11 (1). pp. 131-143. ISSN 2117-4148

Elliott, Richard (2015) The late voice: time, age and experience in popular music. Bloomsbury Academic, New York. ISBN 9781628921182

H

Hogg, Bennett and Norman, Sally-Jane (2013) Resistant materials in musical creativity. Contemporary Music Review, 32 (2-3). pp. 115-118. ISSN 0749-4467

J

Jordanous, Anna and Keller, Bill (2012) What makes musical improvisation creative? Journal of Interdisciplinary Music Studies, 6 (2). pp. 151-175. ISSN 1307-0401

M

Magnusson, Thor (2014) Scoring with code: composing with algorithmic notation. Organised Sound, 19 (3). pp. 268-275. ISSN 1355-7718

McKay, Nicholas Peter (2007) 'One for all and all for one': voicing in Stravinsky's music theatre. Journal of Music and Meaning, 5 (Sum). pp. 1-35. ISSN 1603-7170

W

Withers, D-M (2019) Diabolic marks, organs and relations: exiting symbolic misery. Angelaki. ISSN 0969-725X (Accepted)

Wright, Tom F (2018) Taking the 5.15: Mods, social mobility and the Brighton train. In: Thurschwell, Pamela (ed.) Quadrophenia and Mod(ern) Culture. Palgrave Studies in the History of Subcultures and Popular Music . Palgrave Macmillan. ISBN 978-3-319-64753-1