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- Library of Congress Subject Areas (178)
- N Fine Arts (178)
- N Visual arts (General) For photography, see TR (178)
- N4390 Exhibitions (24)
- N5300 History (42)
- N Visual arts (General) For photography, see TR (178)
- N Fine Arts (178)
Article
Anderson, Tracy (2013) The lives and afterlives of Charlotte, Lady Canning (1817–1861): gender, commemoration, and narratives of loss. South Asian Studies, 29 (1). pp. 31-49. ISSN 0266-6030
Burbridge, Ben (2015) Paradise lost: exhibitionism and the work of Nan Goldin. Either/And.
Burbridge, Benedict (2014) Disobedient objects. V&A Magazine (34). pp. 44-55. ISSN 9771465829024
Butt, Gavin, Heathfield, Adrian and Keidan, Lois (2014) Performance matters: Gavin Butt, Lois Keidan and Adrian Heathfield in conversation. Contemporary Theatre Review, 24 (1). pp. 102-114. ISSN 1048-6801
Cieplak, Piotr (2016) History, trauma and remembering in Kivu Ruhorahoza’s Grey Matter (2011). Journal of African Cultural Studies. ISSN 1369-6815
Clarke, Meaghan (2015) The art press at the fin de siècle: women, collecting, and connoisseurship. Visual Resources, 31 (1-2). pp. 15-30. ISSN 0197-3762
Doubt, Emma (2016) Portraits against amnesia: archival recuperation in the work of Hulleah J. Tsinhnahjinnie. World Art, 6 (1). pp. 19-44. ISSN 2150-0894
Krutnik, Frank (2016) Gene Wilder’s genius was in portraying the deluded straight man. The Conversation. ISSN 2201-5639
Krutnik, Frank and Loock, Kathleen (2018) Exploring film seriality: an introduction. Film Studies, 17 (1). pp. 1-15. ISSN 1469-0314
Lebow, Alisa (2008) Worldwide wigs: Kutlug Ataman and the global art documentary. Arab Studies Journal, XV-XVI (2-1). pp. 57-82. ISSN 1083-4753
Loske, Alexandra (2010) Mary Gartside: A female colour theorist in Georgian England. Journal of Art History and Museum Studies, 14. pp. 17-30. ISSN 2041-1987
Loske, Alexandra (2014) [Review] Carol Mavor (2013) Blue mythologies: reflections on a colour / John Harvey (2013) The story of black. Visual Studies, 29 (2). pp. 217-220. ISSN 1472-586X
Magnusson, Thor (2000) Video in transit. NU: the Nordic art review, 2 (5). ISSN 1404-207X
O'Riordan, Kate (2008) Human cloning in film: horror, ambivalence, hope. Science as Culture, 17 (2). pp. 145-162. ISSN 0950-5431
Pawlik, Joanna (2018) Re-membering surrealism in Charles Henri Ford’s Poem Posters (1964–5). Art History, 41 (1). pp. 154-191. ISSN 0141-6790
Pawlik, Joanna (2011) Ted Joans' surrealist history lesson. International Journal of Francophone Studies, 14 (1-2). pp. 221-239. ISSN 1368-2679
Quilley, Geoffrey (2014) Art history and double consciousness: visual culture and eighteenth-century maritime Britain. Eighteenth-Century Studies, 48 (1). pp. 21-35. ISSN 0013-2586
Quilley, Geoffrey (2016) Art, travel and re-enactment: Captain Cook and the mid-nineteenth-century view of the Pacific. SEL Studies in English Literature, 56 (4). pp. 845-869. ISSN 0039-3657
Quilley, Geoffrey (2014) Introduction: mapping the art of travel and exploration. Journal of Historical Geography, 43. pp. 2-8. ISSN 0305-7488
Reid, Katie and Graham, James (2017) Introduction to the symposium: Ivan Vladislavić, writing visual culture, and the globalization of a South African 'artworld'. Journal of Commonwealth Literature, 52 (1). pp. 3-10. ISSN 0021-9894
Ventrella, Francesco (2012) The health and safety of the fine arts: austerity, politeness, and litigation culture. Journal of European Popular Culture, 3 (1). pp. 61-76. ISSN ISSN-20406134
Withers, D-M (2019) Wounding poppies: hyper-commemoration and aesthetic interventions. Critical Military Studies. ISSN 2333-7486
Wolf, Hope (2015) [Review] Hope Wolf (July 2015) Remembering the First World War. Women: A Cultural Review, 26 (1-2). pp. 159-162. ISSN 0957-4042
Wood, Marcus (2014) Slavery and the romantic sketch: Jean Baptiste Debret’s visual poetics of trauma. Journal of Historical Geography, 44. pp. 161-162. ISSN 0305-7488
Book Section
Clarke, Meaghan (2012) Sex and the city: the metropolitan new woman. In: Bonett, Helena, Holt, Ysanne and Mundy, Jennifer (eds.) The Camden Town Group in context. The Tate.
De Mille, Charlotte (2013) Art history, immanently. In: De Mille, Charlotte and Mullarkey, John (eds.) Bergson and the art of immanence. Edinburgh University Press. ISBN 9780748670222
De Mille, Charlotte (2012) Death in Venice: a gothic opera? In: Cleaver, Laura and Lepine, Ayla (eds.) Gothic and is legacies: four centuries of tradition and innovation in art and architecture. Cambridge Scholars Publishing, pp. 94-114. ISBN 9781443837408
Haynes, Douglas (2013) Mike Kelley: bathos, abjection, quotidian. In: Fagg, John and Rawlinson, Mark (eds.) The everyday in twentieth century American visual culture. Liverpool University Press, Liverpool. (Submitted)
Loske, Alexandra (2014) Picking from the rainbow: on editing languages of colour. In: Zank, Aprilia (ed.) Poets in person: at the Glassblower. Indigo Dreams Publishing, London, pp. 71-79. ISBN 9781909357419
Mellor, David (2014) Second World War. In: Stephens, Chris and Stonard, John-Paul (eds.) Kenneth Clark: Looking for Civilisation. Tate Publishing, London, UK. ISBN 9781849762601
Mellor, David (2015) Warfare/welfare and the coasts of Britain. In: Lauson, Cliff and Rugoff, Ralph (eds.) History is Now: 7 Artists Take on Britain. Hayward Publishing, UK, pp. 40-44. ISBN 9781853323270
O'Connell, Micheál Artists are only a law unto themselves. In: Finchett-Maddock, Lucy and Lekakis, Eleftheria (eds.) Art, law, power: perspectives on legality and resistance in contemporary aesthetics. Counterpress Limited, Oxford, pp. 1-18. (Accepted)
Quilley, Geoffrey (2016) Placing the sea in eighteenth-century British art. In: Spreading Canvas: Eighteenth-Century British Marine Painting. Yale University Press, New Haven CT. ISBN 9780300221572
Quilley, Geoffrey (2016) Siting the circum-Atlantic: Nelson in a bottle in Trafalgar Square. In: Bernier, Celeste-Marie and Durkin, Hannah (eds.) Visualising slavery: art across the African Diaspora. Liverpool Studies in International Slavery (9). Liverpool University Press, Liverpool, pp. 155-167. ISBN 9781781382677
Thynne, Lizzie (2018) Memory, subjectivity and maternal histories in Un'Ora Sola Ti Vorrei (2005), Histoire d'un Secret (2003) and On the Border (2012). In: Arnolde-De Simine, Silke and Leal, Joanne (eds.) Picturing the family: media, narrative, memory. Bloomsbury Academic, London, UK, pp. 41-65. ISBN 9781474283618
Ventrella, Francesco (2010) L’iscrizione del gesto nel visibile. Note sulla coreografia della storia. In: De Cecco, Emanuela (ed.) Arte-mondo: storia dell'arte, storie dell'arte. Postmedia, Milan, pp. 140-157. ISBN 9788874900527
Wolf, Hope (2017) The making of Sussex Modernism. In: [Catalogue] Sussex Modernism: retreat and rebellion. Two Temple Place, London, 08-55. ISBN 9780957062863
Wood, Marcus (2014) Brazilian and North American slavery propagandas: some thoughts on difference. In: Castronovo, Russ and Auerbach, Jonathan (eds.) The Oxford Handbook to Propaganda Studies. Oxford University Press Handbooks . Oxford University Press, New York and London, pp. 28-49. ISBN 9780199764419
Woolford, Kirk and Guedes, Carlos (2008) Echo locations. In: SIGGRAPH '08 ACM SIGGRAPH 2008 talks. ACM, New York. ISBN 9781605583433
Conference or Workshop Item
Devereaux, Emile (2015) From LEGIT to LawDigital. In: UnBox PopUp, 25 June 2015, Institute for Contemporary Arts, London.
Mellor, David (2015) Viewing Airstrip One: Anglo-American exchanges in wartime. In: 'In the same boat': the Anglo-American visual imagination in wartime, 1941-45, 8-9 May 2016, Mellon Centre, Yale, New Haven, USA.
Price, Jason (2017) Strangers to happiness: the depiction of clowns in the work of Georges Rouault. In: International Federation for Theatre Research Annual Conference, 10-14 July 2017, Sao Paulo, Brazil, 10-14 July 2017, Sao Paulo, Brazil.
Conference Proceedings
O'Connell, Micheal (2015) Poetic misuse of technology, functional systems and the contemporary supply chain. Published in: Bentkowska-Kafel, A, (ed.) Proceedings of the 30th Conference of Computers and the History of Art (CHArt); King’s College London; 17 October 2015. CHArt ISSN 1473-2157
Book
Butt, Gavin and Rogoff, Irit (2013) Visual cultures as seriousness. Visual cultures as . Sternberg Press, Berlin. ISBN 9783943365399
Callaghan, Joanna and McQuillan, Martin (2014) Love in the post: from Plato to Derrida: the screenplay and commentary. Rowman and Littlefield International, London. ISBN 9781783480050
Loske, Alexandra and Massey, Robert (2018) Moon: Art, Science, Culture. Octopus, London. ISBN 9781781575710
Özpinar, Ceren (2016) Turkiye'de sanat tarihi yazimi. Tarih Vakfi Yurt Yayinlari.
Edited Book
Burbridge, Benedict and Davies, Celia, eds. (2014) Collaboration. Photoworks, Brighton. ISBN 9781903796504
Duman, Alberto, Hancox, Dan, James, Malcolm and Minton, Anna, eds. (2018) Regeneration songs: sounds of investment and loss in East London. Repeater Books, London. ISBN 978-1912248230
Hopkins, Claudia and McSweeney, Anna, eds. (2017) Special Issue: Spain and Orientalism. Art in Translation, 9 (1). Taylor and Francis. ISBN 1756-1310
Archive of Modern Conflict, (2015) A guide for the protection of the public in peacetime: not for the general public. Archive of Modern Conflict, London.
Thesis
Behrendt, Frauke (2010) Mobile sound: media art in hybrid spaces. Doctoral thesis (DPhil), University of Sussex.
Eade, Jane (2010) The sacred and the profane: sight and spiritual vision in the arts of the Baroque 1650-1700. Doctoral thesis (DPhil), University of Sussex.
Kim, Jeongsuk (2013) Literature, visual culture and domestic spheres, 1799-1870. Doctoral thesis (PhD), University of Sussex.
Searle, Rebecca K (2011) Art, propaganda and the experience of aerial warfare in Britain during the Second World War. Doctoral thesis (DPhil), University of Sussex.
Tsouti-Schillinger, Assimina Nena (2011) Thematics in the art of Robert Morris. Doctoral thesis (DPhil), University of Sussex.
Artefact
Devereaux, Emile Digital contact zones: digital cartography website, participatory workshops and artefacts by Emile Devereaux. [Artefact]
Devereaux, Emile (2015) LawDigital: Digital Cartography from the Ground Up (June 2015-17). [Artefact]
Show/Exhibition
Devereaux, Emile (2013) LEGIT: media for open governance at the Southbank Centre. [Show/Exhibition]
Friend, Melanie (2013) The Home Front [Impressions Gallery, Bradford]. [Show/Exhibition]
O'Connell, Micheal (2017) Navigating 2017. [Show/Exhibition]
Wolf, Hope, Cooper, Rosie, Clark, Martin and Buenfeld, Gina A tale of mother's bones: Grace Pailthorpe, Reuben Mednikoff, and the birth of psychorealism. [Show/Exhibition]
Video
Callaghan, Joanna (2012) DO NOT READ THIS. [Video]
Callaghan, Joanna (2014) Love in the post: from Plato to Derrida. [Video]
Hughes, Ed and Zuza, Aitor Antepara (2007) Battleship Potemkin: a contemporary score. [Video]
Krutnik, Frank (2017) “An Autopsy on Capitalism” (38 min. video lecture), “Down and Down” (9 min. video essay) and “The Telephone is a Dangerous Object” (10.30 min. video essay), Force of Evil blu-ray. [Video]
Krutnik, Frank (2015) "The Fruits of Labour" (33 min. video lecture), "The Homecoming" (12 mins video essay), "Delicious Gold" (8 min. video essay) and "Rica" (11 min. video essay), Thieves Highway: A Film by Jules Dassin. [Video]
Krutnik, Frank (2016) “Small Boy, Tough Guy” (29 min. video lecture), "Selected Scene Analysis" (9 min. video essay), The Blue Dahlia blu ray. [Video]
Other
Butt, Gavin, Heathfield, Adrian and Keidan, Lois (2013) Performance matters archive. Live Art Development Agency, London.