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Grant, Alistair (2016) Electrotype replicas. In: Prettlejohn, Elizabeth and Trippi, Peter (eds.) Lawrence Alma-Tadema: at home in antiquity. Prestel Verlag, Munich, pp. 114-115. ISBN 978379135528

Grant, Alistair and Patterson, Angus (2018) The museum and the factory: the V&A, Elkington and the electrical revolution. V&A 19th-Century Series, 2 . Lund Humphries, London. ISBN 9781848222915

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Haynes, Douglas (2013) Mike Kelley: bathos, abjection, quotidian. In: Fagg, John and Rawlinson, Mark (eds.) The everyday in twentieth century American visual culture. Liverpool University Press, Liverpool. (Submitted)

Hutchinson, David Robert (2011) Piety in peril: a religiously conservative sixteenth century school of church monuments in Sussex, Hampshire and the Isle of Wight. Doctoral thesis (DPhil), University of Sussex.

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Magnusson, Thor (2011) When instruments become architecture: on liquefying frozen music. Wergo.

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Smith, Lindsay (2013) Roger Fenton's Nature Morte: the pull of sculpture. History of Photography, 37 (4). pp. 397-411. ISSN 0308-7298

Stevens, Bethan (2003) ‘Putting to rights some of the wrecks': Nancy Flaxman’s contributions to the Italian journey. In: Bindman, David (ed.) John Flaxman: Master of the Purest Line. Sir John Soane's Museum, London, pp. 19-24. ISBN 9780954228422

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Ventrella, Francesco Encountering the Niobe’s Children: Vernon Lee’s queer formalism and the empathy of sculpture. In: Funke, Jana and Grove, Jen (eds.) Sculpture, Sexuality and History: Sculptural Encounters in Literature, Culture and the Arts from the Eighteenth Century to the Present. Palgrave MacMillan. (Accepted)