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Chevalier, Cecile and Kiefer, Chris (2019) What does augmented reality mean as a medium of expression for computational artists? Leonardo. ISSN 0024-094X

Chevalier, Cécile and Kiefer, Chris (2018) Listening mirrors: prototyping for a hybrid audio augmented reality installation. ICLI 2018. International Conference on Live Interfaces, Porto, Portugal, June 14-16, 2018. Published in: Alberto Gomes, José, Carvalhais, Miguel and Penha, Rui, (eds.) Proceedings: ICLI 2018, 4th International Conference on Live Interfaces. Inspiration, Performance, Emancipation.. 126-132. ISBN 9789897461705

Clarke, Rachel, Briggs, Jo, Light, Ann and Wright, Peter (2016) Situated encounters with socially engaged art in community-based design. In: Proceedings of the 2016 ACM Conference on Designing Interactive Systems. 97814503-40311 . Association for Computing Machinery, New York, pp. 521-532.

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Grant, Alistair (2014) Elkington & Co. and the rapture of travel, 1841-1961. The Journal of the Antique Metalware Society, 22. pp. 2-31. ISSN 1359-124X

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Hitchmough, Wendy (2005) Arts and crafts gardens. V&A Publications, London. ISBN 9781851774487

Hughes, Ed and Zuza, Aitor Antepara (2007) Battleship Potemkin: a contemporary score. [Video]

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Kaur, Raminder and Dave-Mukherji, Parul (2014) Arts and aesthetics in a globalising world. ASA Monographs, 51 . Bloomsbury, London. ISBN 9781472519306

Krutnik, Frank (2018) Chiller-dillers for the shiver-and-shudder set: The Whistler film series. Film Studies, 17 (1). pp. 49-72. ISSN 1469-0314

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Loske, Alexandra (2010) Mary Gartside: A female colour theorist in Georgian England. Journal of Art History and Museum Studies, 14. pp. 17-30. ISSN 2041-1987

Loske, Alexandra (2017) Mary Philadelphia Merrifield: color history as expertise. Visual Resources: an international journal on images and their uses, 33 (1-2). pp. 11-26. ISSN 0197-3762

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Mellor, David (2015) Warfare/welfare and the coasts of Britain. In: Lauson, Cliff and Rugoff, Ralph (eds.) History is Now: 7 Artists Take on Britain. Hayward Publishing, UK, pp. 40-44. ISBN 9781853323270

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Norman, Sally Jane (2012) Staging live art, a-life, a-life art. In: VIDA Art and Artificial Life. Fundacion Telefonica, Madrid, pp. 110-119. ISBN 9788415282044

Norris, Jacob, Williams, Jonathan, Kevin, Philip and Cartwright, Caroline (2014) Sacred souvenir: the holy sepulchre models in the British Museum. The British Museum Technical Research Bulletin, 8. pp. 29-38.

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O'Riordan, Kate (2010) The genome incorporated: constructing biodigital identity. Theory, technology and society . Ashgate, London. ISBN 978-0-7546-7851-9

O'Riordan, Kate, Parker, Jennifer, Harrison, David and Devereaux, Emile (2017) Making sense of sensors. Digital Culture and Society, 3 (1). pp. 147-158. ISSN 2364-2114

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Price, Jason (2018) Popular performance and the omnivore: the shifting cultural terrain. In: IFTR 2018: University of Arts, Belgrade, Serbia IFTR 2018 International Federation for Theatre Research World Congress, 9-13 July 2018, Belgrade, Serbia.

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Stanger, Arabella (2016) Heterotopia as choreography: Foucault’s sailing vessel. Performance Research, 21 (3). pp. 65-73. ISSN 1352-8165

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Zhang, Wei (2011) Reanimating cultural heritage through digital technologies. Doctoral thesis (DPhil), University of Sussex.