Article

Austin, Thomas (2017) In the cells of Fortress Europe: an interview with Marianna Economou, director of The Longest Run. Senses of Cinema, 83.

Austin, Thomas (2014) Indexicality and inter/textuality: 24 City's aesthetics and the politics of memory. Screen, 55 (2). pp. 256-266. ISSN 0036-9543

Austin, Thomas (2016) Interiority, identity and the limits of knowledge in documentary film. Screen, 57 (4). pp. 414-430. ISSN 0036-9543

Austin, Thomas (2016) Spectral cinema from a phantom state: film aesthetics and the politics of identity in Divided Heaven and Solo Sunny. Studies in Eastern European Cinema, 7 (3). pp. 274-286. ISSN 2040-350X

Austin, Thomas (2016) Temporal vertigo: an interview with John Akomfrah. Senses of Cinema, 79. ISSN 1443-4059

Austin, Thomas (2018) “A democracy of images” John Gianvito in conversation. Senses of Cinema (86). ISSN 1443-4059

Brown, Christopher (2017) “Even If You Have Nothing, You Should Keep Filming”: An Interview with Cheng Yu-Chieh on 'Wawa No Cidal' (2015). Senses of Cinema (82). ISSN 1443-4059

Brown, Christopher (2012) Homosexuality in 'Dog Day Afternoon' (1975): televisual surfaces and a 'natural' man. Film Criticism, 37 (1). pp. 35-54. ISSN 0163-5069

Brown, Christopher (2017) Performance enhancement: identity, surface aesthetics, and the direction of actors in 'Yang Yang' 陽陽 (Cheng Yu-Chieh, 2009). Asian Cinema, 28 (1). pp. 23-37. ISSN 1059-440X

Brown, Christopher and Knight-Hill, Andrew (2019) Stories of a ruined space: filmic and sonic approaches to practice-as-research. Media Practice and Education, 19 (3). pp. 313-325. ISSN 2574-1136

Brown, Christopher R (2012) Mad about the boy? Hollywood stardom and masculinity subverted in 'The Swimmer'. Quarterly Review of Film and Video, 29 (4). pp. 356-364. ISSN 1050-9208

Cieplak, Piotr (2017) Film review: Concerning violence - nine scenes from the anti-imperialistic self-defense (2014). Genocide Studies and Prevention, 11 (1). pp. 126-128. ISSN 1911-0359

Elliott, Richard (2014) The choreography of longing: songs, screens and space in Carlos Saura’s 'Fados'. Quaderns de Cine, 9. pp. 71-78. ISSN 1888-4571

Ertür, Başak and Lebow, Alisa (2014) Coup de genre: the trials and tribulations of Bülent Ersoy. Theory & Event, 17 (1). ISSN 1092-311X

Eve, Martin Paul (2010) 'The time that remains: Elia Suleiman and the London Palestinian Film Festival 2010' [Review] Elia Suleiman (2009) The time that remains. Excursions, 1 (1). pp. 146-151. ISSN 2044-4095

Farrimond, Katherine (2017) Glamour, nostalgia and film memory: contemporary popular culture and the femme fatale. Women's Film and Television History Network [weblog article, 11 November 2017].

Farrimond, Katherine (2018) Karyn Kusama. Cut-Throat Women: A Database Of Women Who Make Horror [Weblog article, 27 November 2018].

Farrimond, Katherine (2013) Postfeminist noir: brutality and retro aesthetics in The Black Dahlia. Film & History: An Interdisciplinary Journal, 43 (2). pp. 34-49. ISSN 0360-3695

Farrimond, Katherine (2012) ‘Stay still so we can see who you are’: anxiety and bisexual activity in the contemporary femme fatale film. Journal of Bisexuality, 12 (1). pp. 138-154. ISSN 1529-9716

Krutnik, Frank (2013) Spirited vulgarity: Frank Tashlin as comic auteur. Studies in American Humor, 3 (27). pp. 201-215. ISSN 0095-280X

Lacey, Kate (2015) Listening in/To Germany, Pale Mother. The Cine-Files, 8. ISSN 2156-9096

Lawrence, Michael (2015) ‘Bombed into stardom!’: Roddy McDowall, ‘British evacuee star’ in Hollywood. Journal of British Cinema and Television, 12 (1). pp. 45-62. ISSN 1743-4521

Lawrence, Michael (2015) ‘Practically infinite manipulability’: domestic dogs, canine performance and digital cinema. Screen, 56 (1). pp. 115-120. ISSN 0036-9543

Lawrence, Michael (2012) 'Yes sir, that’s my baby’: infancy and performance in Heartburn, or the business with the banana. Screen, 53 (4). pp. 465-470. ISSN 0036-9543

Lebow, Alisa (2003) Memory once-removed: indirect memory and transitive autobiography in Chantal Akerman's D'Est. Camera Obscura, 18 (1). pp. 34-83. ISSN 0270-5346

Lebow, Alisa (2016) Seeing revolution non-linearly: www.filmingrevolution.org. Visual Anthropology, 29 (3). pp. 278-295. ISSN 0894-9468

Lebow, Alisa (2007) Stratigic sentimentality: nostalgia and the work of Eleanor Antin. Camera Obscura, 22 (3). pp. 128-167. ISSN 0270-5346

Lebow, Alisa (2008) Worldwide wigs: Kutlug Ataman and the global art documentary. Arab Studies Journal, XV-XVI (2-1). pp. 57-82. ISSN 1083-4753

Mroz, Matilda (2016) Editorial: special issue on the body. Studies in Eastern European Cinema, 7 (2). ISSN 2040-350X

Mroz, Matilda (2007) Fracturing the marble façade: visceral excavation in Andrzej Wajda’s Man of Marble. Senses of Cinema, 43. ISSN 1443-4059

Mroz, Matilda (2016) Framing loss and figuring grief in Paweł Pawlikowski’s Ida. Screening the Past. ISSN 1328-9756

Mroz, Matilda (2010) Restless bodies, buried texts: Sikorski, the General, and the archive. Studies in Eastern European Cinema, 1 (2). pp. 153-165. ISSN 2040-350X

Mroz, Matilda (2009) Walkover (Jerzy Skolimowski). Senses of Cinema, 51. ISSN 1443-4059

Mroz, Matilda (2014) The monument and the sewer: memory and death in Wajda’s Kanal (1957). Historical Journal of Film, Radio and Television, 34 (4). pp. 528-545. ISSN 0143-9685

Roberts, Ben (2006) Cinema as mnemotechnics. Angelaki, 11 (1). pp. 55-63. ISSN 0969-725X

Roberts, Ben (2016) An ‘exemplary contemporary technical object’: thinking cinema between Hansen and Stiegler. New Formations, 88. pp. 88-104. ISSN 0950-2378

Robinson, Lucy (2018) Thoughts on pride: no coal dug. Open Library of Humanities. ISSN 2056-6700 (Accepted)

Robinson, Luke (2011) Animating the Chinese child consumer: remaking Sparkling red star for the market. Journal of Children and Media, 5 (4). pp. 426-441. ISSN 1748-2798

Smith, Adrian (2016) ‘The girl the whole world is waiting to see more of!’ Isabel Sarli, and the failed attempt to launch a new star in 1960s Britain. Intensities: The Journal of Cult Media (8). pp. 94-99.

Smith, Frances (2018) Smoke gets in your eyes: Re-reading gender in the "Nostalgia film". Quarterly Review of Film and Video. ISSN 1050-9208

Walden, Victoria Grace (2014) Animation: textural difference and the materiality of Holocaust memory. Animation Studies Online Journal, 9. ISSN 1930-1928

Walden, Victoria Grace (2016) Transcultural engagement with Polish memory of the Holocaust while watching Leszek Wosiewicz's Kornblumenblau. Holocaust Studies, 22 (2-3). pp. 256-273. ISSN 1750-4902

Webb, Lawrence (2015) New Hollywood in the rust belt: urban decline and downtown renaissance in 'The King of Marvin Gardens' and 'Rocky'. Cinema Journal, 54 (4). pp. 100-125. ISSN 0009-7101

Webb, Lawrence (2018) New York City and cinema. Oxford Bibliographies in Cinema and Media Studies.

Webb, Lawrence (2014) Remapping 'The Conversation': urban design and industrial reflexivity in seventies San Francisco. Post45. ISSN 2168-8206

Book Section

Brown, Christopher (2014) The Pools of 'The Swimmer' (1968): exurbia, topography, decay. In: Brown, Christopher and Hirsch, Pam (eds.) The cinema of the swimming pool. New Studies in European Cinema . Peter Lang, pp. 89-100. ISBN 9783035398076

Butt, Gavin (2013) Living the dream in women in revolt. In: Davis, Glyn and Needham, Gary (eds.) Warhol in ten takes. BFI Publishing, London, pp. 180-194. ISBN 9781844574025

Farrimond, Katherine (2011) Bad girls in crisis: the new teenage femme fatale. In: Waters, Melanie (ed.) Women on screen: feminism and femininity in visual culture. Palgrave Macmillan, pp. 77-89. ISBN 9780230229655

Farrimond, Katherine (2010) “Mom! you look so thin!”: constructions of femininity across the space-time continuum. In: Ní Fhlainn, Sorcha (ed.) The worlds of Back to the future: critical essays on the films. McFarland, pp. 157-173. ISBN 0786457651

Farrimond, Katherine (2013) The slut that wasn’t: virginity, (post)feminism and representation in Easy A. In: Gwynne, Joel and Müller, Nadine (eds.) Postfeminism and contemporary Hollywood cinema. Palgrave Macmillan, pp. 44-59. ISBN 9781137306838

Galt, Rosalind (2011) On L'avventura and the picturesque. In: Rascaroli, Laura and Rhodes, John David (eds.) Antonioni: Centenary Essays. Palgrave Macmillan, New York, pp. 134-153. ISBN 978-1-84457-384-4

Galt, Rosalind (2013) The prettiness of Italian cinema. In: Bayman, Louis and Rigoletto, Sergio (eds.) Popular Italian cinema. Palgrave Macmillan, Houndmills. ISBN 9780230300163

Krutnik, Frank (2015) Foolish wisdom? Chaplin and duality. In: Jourdren, Morgane and Loizeau, Pierre-Marie (eds.) La Figure de Charlot et ses avatars. Presses universitaires de Rennes, Rennes, pp. 123-140. ISBN 9782753539617

Lebeau, Vicky (2017) ‘A bath, a toilet and a field’: dreaming and deprivation in Lynne Ramsay’s Ratcatcher. In: Donald, Stephanie Hemelryk, Wilson, Emma and Wright, Sarah (eds.) Childhood and nation in contemporary world cinema : borders and encounters. Bloomsbury, New York, pp. 15-31. ISBN 9781501318580

Lebow, Alisa (2014) Filming revolution: approaches to programming the Arab Spring. In: Iordanova, Dina and Van de Peer, Stefanie (eds.) Film festivals and the Middle East. Film festival yearbook (6). St Andrews Film Studies, St Andrews, pp. 61-73. ISBN 9781908437112

Lebow, Alisa (2013) First person political. In: Winston, Brian (ed.) The documentary film book. Palgrave Macmillan, Basingstoke, pp. 257-265. ISBN 9781844573417

Lebow, Alisa (2012) Shooting with intent. In: Ten Brink, Joram and Oppenheimer, Joshua (eds.) Killer images: documentary film, memory and the performance of violence. Wallflower Press, London, pp. 41-63. ISBN 9780231163347

Lebow, Alisa (2015) The unwar film. In: Juhasz, Alexandra and Lebow, Alisa (eds.) A companion to contemporary documentary film. John Wiley & Sons, Hoboken, New Jersey. ISBN 9780470671641

Marcus, Laura (2005) The Great War in twentieth-century cinema. In: Sherry, Vincent (ed.) The Cambridge companion to the literature of the first world war. Cambridge Companions to Literature . Cambridge University Press, pp. 280-301. ISBN 9780521528979

Mroz, Matilda (2016) Displacement, suffering and mourning: post-war landscapes in contemporary Polish cinema. In: Brouwer, Sander (ed.) Contested Interpretations of the Past in Polish, Russian and Ukrainian Film: Screen as Battlefield. Studies in Slavic Literature and Politics (60). Brill. ISBN 9789004311725

Mroz, Matilda (2015) Performing evolution: immersion, unfolding, and Lucille Hadzihalilovic’s Innocence. In: de Luca, Tiago and Jorge, Nuno (eds.) Slow Cinema. Traditions in World Cinema . Edinburgh University Press. ISBN 9780748696048

Mroz, Matilda (2013) Re-imagining the neighbour: Polish-Jewish relations in contemporary Polish visual culture. In: Bangert, Axel, Gordon, Robert and Saxton, Libby (eds.) Holocaust Intersections: Genocide and Visual Culture at the New Millennium. Moving Image (4). Legenda. ISBN 9781907975028

Mroz, Matilda (2014) The aesthetics of overflow: Andrei Tarkovsky's Nostalghia (1983) in duration. In: Brown, Christopher and Hirsch, Pam (eds.) The cinema of the swimming pool. New studies in European cinema (17). Peter Lang. ISBN 9783034317832

Robinson, Luke (2017) Non-state agents, quotidian soft power, and the work of the overseas film festival: case studies from London. In: Voci, Paola and Luo, Hui (eds.) Screening China's soft power. Media, culture, and social change in Asia . Routledge, New York, pp. 111-126. ISBN 9781138669895

Smith, Frances (2018) Catastrophe: transatlantic love in East London. In: Brickman, Barbara, Jermyn, Deborah and Trost, Ted (eds.) Love across the Atlantic: UK-US romance in popular media. Edinburgh University Press, Edinburgh. (Accepted)

Smith, Frances (2016) Don't you forget about me: Molly Ringwald, nostalgia and teen girl stardom. In: Lobalzo-Wright, Julie and Bolton, Lucy (eds.) Lasting Screen Stars: Images that Fade and Personas that Endure. Palgrave Macmillan, pp. 231-244. ISBN 9781137407320

Smith, Frances (2017) Melissa McCarthy: gender, class and body politics in contemporary Hollywood comedy. In: Women Do Genre in Film and Television. Routledge Research in Cultural and Media Studies, 1 . Routledge, pp. 164-178. ISBN 9781138695801

Smith, Frances (2018) Vanishing pregnancies to flying cars: examining changing reactions to the carnival in Grease. In: Gruner, Oliver and Kramer, Peter (eds.) Grease is still the word. Anthem Press, London. (Accepted)

Thynne, Lizzie (2018) Memory, subjectivity and maternal histories in Un'Ora Sola Ti Vorrei (2005), Histoire d'un Secret (2003) and On the Border (2012). In: Arnolde-De Simine, Silke and Leal, Joanne (eds.) Picturing the family: media, narrative, memory. Bloomsbury Academic, London, UK, pp. 41-65. ISBN 9781474283618

Thynne, Lizzie (2018) Unravelling family fictions: stories we tell, daughter rite and my life without me. In: Marchevska, E (ed.) The Maternal in creative work: intergenerational discussions on motherhood and arm. Taylor Francis, London, UK. (Accepted)

Tierney, Dolores (2017) Transnational filmmaking in South America. In: Stone, Rob, Marlow Mann, Alex and Dennison, Stephanie (eds.) Routledge companion to world cinema. Routledge, London and New York. ISBN 9781138918801 (Submitted)

Webb, Lawrence (2019) Made in New York: film production, the city government, and public protest in the Koch era. In: Andersson, Johan and Webb, Lawrence (eds.) The city in American cinema: film and postindustrial culture. Bloomsbury, London. ISBN 9781350115637 (Accepted)

Webb, Lawrence (2019) The auteur renaissance, 1968-1979. In: Webb, Lawrence and Gleich, Joshua (eds.) Hollywood on location: an industry history. Rutgers University Press, pp. 124-154. ISBN 9780813586250

Webb, Lawrence and Andersson, Johan (2019) American cinema and urban change: industry, genre, and politics from Nixon to Trump. In: Andersson, Johan and Webb, Lawrence (eds.) The city in American cinema: film and postindustrial culture. Bloomsbury, London. ISBN 9781350115620 (Accepted)

Webb, Lawrence and Andersson, Johan (2016) Decentring the cinematic city: film and media in the digital age. In: Webb, Lawrence and Andersson, Johan (eds.) Global Cinematic Cities: New Landscapes of Film and Media. Wallflower Press, New York, pp. 1-16. ISBN 9780231177474

Webb, Lawrence and Gleich, Joshua (2019) Introduction. In: Webb, Lawrence and Gleich, Joshua (eds.) Hollywood on location: an industry history. Rutgers University Press, pp. 1-15. ISBN 9780813586250

Conference or Workshop Item

Lebeau, Vicky (2015) Sanity, madness and the family, family life: an urgent retrospective. In: Sanity, madness and the family, family life: an urgent retrospective, 24 April 2015, Birkbeck University of London.

Book

Callaghan, Joanna and McQuillan, Martin (2014) Love in the post: from Plato to Derrida: the screenplay and commentary. Rowman and Littlefield International, London. ISBN 9781783480050

Etkind, Alexander, Finnin, Rory, Blacker, Uilleam, Fedor, Julie, Lewis, Simon, Mälksoo, Maria and Mroz, Matilda (2012) Remembering Katyn. Polity Press. ISBN 9780745676128

Farrimond, Katherine (2017) The contemporary femme fatale: gender, genre and American cinema. Routledge Advances in Film Studies . Routledge. ISBN 9781138670662

Lawrence, Michael (2014) Sabu. British Film Institute / Palgrave Macmillan, Basingstoke. ISBN 9781844575190

Lebow, Alisa (2017) Filming revolution. Stanford Digital Project . Stanford University Press, Stanford, California. ISBN 9781503605220 (Accepted)

Marcus, Laura (2007) The tenth muse: writing about cinema in the modernist period. Oxford University Press. ISBN 9780199230273

Mroz, Matilda (2013) Temporality and film analysis. Edinburgh University Press. ISBN 9780748685912

Smith, Frances (2017) Rethinking the Hollywood teen movie. Edinburgh University Press. ISBN 9781474413091

Walden, Victoria Grace (2016) Studying Hammer horror. Studying film . Columbia University Press. ISBN 9781906733322

Webb, Lawrence (2014) The cinema of urban crisis: seventies film and the reinvention of the city. Amsterdam University Press. ISBN 9789089646378

Edited Book

Brown, Christopher and Hirsch, Pam, eds. (2014) The Cinema of the Swimming Pool. New Studies in European Cinema . Peter Lang. ISBN 978-3-0353-9807-6

Webb, Lawrence and Gleich, Joshua, eds. (2019) Hollywood on location: an industry history. Rutgers University Press. ISBN 9780813586250

Smith, Frances and Shary, Timothy, eds. (2016) Refocus: the films of Amy Heckerling. ReFocus: The American Directors Series . Edinburgh University Press, Edinburgh. ISBN 9781474404624

Mroz, Matilda, Mazierska, Ewa and Ostrowska, Elzbieta, eds. (2016) The cinematic bodies of Eastern Europe and Russia: between pain and pleasure. Edinburgh University Press, Edinburgh. ISBN 9781474405140

Andersson, Johan and Webb, Lawrence, eds. (2019) The city in American cinema: film and postindustrial culture. International Library of the Moving Image . Bloomsbury, London. ISBN 9781788313186 (Accepted)

Lebow, Alisa and Juhasz, Alexandra, eds. (2015) A companion to contemporary documentary film. Wiley Blackwell, Chichester, West Sussex, UK ; Malden, MA :. ISBN 9780470671641 0470671645

Austin, Thomas, ed. (2018) The films of Aki Kaurismäki: ludic engagements. Bloomsbury Academic, New York. ISBN 9781501325410

Lawrence, Michael Animal life and the moving image. Columbia University Press, New York. (Submitted)

Lawrence, Michael The zoo: images of exhibition and encounter. Palgrave Macmillan. (Submitted)

Lebow, Alisa (2012) The cinema of me: the self and subjectivity in first person documentary. Wallflower Press, New York. ISBN 9780231162142

Thesis

Berkvens, Linda (2011) No crinoline-covered lady: stardom, agency, and the career of Barbara Stanwyck. Doctoral thesis (DPhil), University of Sussex.

Billingham, Jimmy Patrick (2011) The act of viewing: indeterminacy and interpretation in narrative film. Doctoral thesis (DPhil), University of Sussex.

Callaghan, Joanna (2018) Ontological narratives. Doctoral thesis (PhD), University of Sussex.

Chard, Holly (2014) Mainstream maverick? John Hughes and new Hollywood cinema. Doctoral thesis (PhD), University of Sussex.

Dadgarnia, Alireza (2017) Film as home: accented film practice and the materiality of displaced lived experience. Doctoral thesis (PhD), University of Sussex.

Farhoumand, J C (2012) Barflies, tramps, heroes and whores: Charles Bukowski and the cinema. Masters thesis (MPhil), University of Sussex.

Foster, Ludovic (2016) Narratives of tomboy identity in fiction and film: exploring a hidden history. Doctoral thesis (PhD), University of Sussex.

Hubbard, Frances Rosina (2014) Screendance: corporeal ties between dance, film, and audience. Doctoral thesis (PhD), University of Sussex.

Jones, James (2018) “Enter the dream-house”: evaluating the role of English cinemas in public emotion, spatial appropriation, and notions of modernity, c.1930-1960. Doctoral thesis (PhD), University of Sussex.

Koutsourakis, Angelos (2011) 'A film should be like a stone in your shoe': a Brechtian reading of Lars von Trier. Doctoral thesis (DPhil), University of Sussex.

Lan, Kuo-Wei (2012) Technofetishism of posthuman bodies: representations of cyborgs, ghosts, and monsters in contemporary Japanese science fiction film and animation. Doctoral thesis (PhD), University of Sussex.

McHugh, Ian Paul (2012) Liminal subjectivities in contemporary film and literature. Doctoral thesis (DPhil), University of Sussex.

Mussell, Simon Paul (2011) Constellations of Adornian theory and film: readings of Adorno with Tarkovsky and Haneke. Doctoral thesis (DPhil), University of Sussex.

O'Connell, Grainne Marie Teresa (2014) A comparative analysis of HIV/AIDS, transnationalism, sexuality, gender and ethnicity in selected Anglophone Caribbean and South African literature and film. Doctoral thesis (PhD), University of Sussex.

Pedlingham, Graeme G (2011) The (un)scene of memory: energetic theory and representation in theatre and film. Doctoral thesis (DPhil), University of Sussex.

Reynolds, Kevin Patrick (2011) That justice be seen: the American prosecution's use of film at the Nuremberg International Military Tribunal. Doctoral thesis (DPhil), University of Sussex.

Slack, Neil Graham (2010) A cinema of white masculine crisis: race and gender in contemporary British film. Doctoral thesis (DPhil), University of Sussex.

Verano, Frank (2016) D.A. Pennebaker and the politics and aesthetics of mature-period direct cinema. Doctoral thesis (PhD), University of Sussex.

Ward, Glenn (2011) Journeys into perversion: vision, desire and economies of transgression in the films of Jess Franco. Doctoral thesis (DPhil), University of Sussex.

Wright, Neelam Sidhar (2010) Bollywood eclipsed : the postmodern aesthetics, scholarly appeal, and remaking of contemporary popular Indian cinema. Doctoral thesis (DPhil), University of Sussex.

Show/Exhibition

Callaghan, Joanna and Thomas, Lubi (2008) 'Artists vs Hollywood' moving image exhibition (2008-2009). [Show/Exhibition]

Video

Brown, Christopher (2018) Coccolith. [Video]

Brown, Christopher (2015) Remission. [Video]

Brown, Christopher (2015) Soap. [Video]

Callaghan, Joanna (2014) Love in the post: from Plato to Derrida. [Video]

Cieplak, Piotr (2015) Memory cards. [Video]

Thynne, Lizzie (2014) Voices in Movement. [Video]

Thynne, Lizzie and Hughes, Ed (2018) Brighton: symphony of a city. [Video]

Other

Krutnik, Frank (2014) Booklet containing writing on the film "Brute Force" (Jules Dassin, 1947). Arrow Films, London.

Krutnik, Frank (2014) Frank Krutnik on The Killers. Arrow Films, London.