Article

Butt, Gavin (2012) The common turn in performance. Contemporary Theatre Review, 22 (1). pp. 46-61. ISSN 1048-6801

Butt, Gavin, Heathfield, Adrian and Keidan, Lois (2014) Performance matters: Gavin Butt, Lois Keidan and Adrian Heathfield in conversation. Contemporary Theatre Review, 24 (1). pp. 102-114. ISSN 1048-6801

Corrieri, Augusto (2012) Giving up the world for an image. International Journal of Screendance, 2. pp. 78-80. ISSN 2154-6878

Corrieri, Augusto (2016) An autobiography of hands: on training in sleight of hand magic. Theatre, Dance and Performance Training, 7 (2). pp. 283-296. ISSN 1944-3927

Corrieri, Augusto (2015) A packed theater. Cabinet: A Quarterly of Arts and Culture (56). pp. 24-29.

Fowler, Benjamin (2014) Culture clash: what the Wooster Group revealed about the RSC (and British theatre hegemony) in Troilus & Cressida. Shakespeare Bulletin, 32 (2). pp. 207-233. ISSN 0748-2558

Price, Jason (2016) Fusing the serious and the ridiculous: an interview with Brown Council (Sydney, Australia). Contemporary Theatre Review, 26 (4). pp. 506-512. ISSN 1048-6801

Book Section

Bailes, Sara Jane (2014) Ohio impromptu: reading Blanchot, hearing Beckett. In: Bailes, Sara Jane and Till, Nicholas (eds.) Beckett and Musicality. Ashgate, Farnham, Surrey, England/Burlington, US, pp. 199-213. ISBN 9781472409638

Bailes, Sara Jane (2014) Ten ton truck stuck on a hill: reflecting on a decade or more of failure. In: 7 Invitations. Glasshouse Matters, Brooklyn, New York, pp. 50-61. ISBN 1234567891000

Barnett, David (2015) Sampling the Stasi with a GPS device in Berlin. Rimini Protokoll's 50 Aktenkilometer and the recent German past. In: Birgfeld, Johannes, Garde, Ulrike and Mumford, Meg (eds.) Rimini Protokoll Close-Up: Lektüren. Forum für deutschsprachiges Drama und Theater in Geschichte und Gegenwart, 5 . Wehrhahn, Hanover, pp. 94-114. ISBN 9783865254542

Corrieri, Augusto (2011) Describing exhaustion: Lone Twin's Ghost Dance and the job of the performer. In: Lavery, Carl and Williams, David (eds.) Good luck everybody: Lone Twin, journeys, performances, conversations. Performance Research Books. ISBN 9781906499020

Corrieri, Augusto (2017) Real disquiet. In: Heathfield, Adrian (ed.) Real magic: the work of Forced Entertainment. Phaidon. (Submitted)

Corrieri, Augusto (2011) Watching people in the light: Jérôme Bel and the classical theatre. In: Finburgh, Claire and Lavery, Carl (eds.) Contemporary French theatre and performance. Performance Interventions . Palgrave Macmillan, pp. 213-223. ISBN 9781349368501

Corrieri, Augusto (2018) A conjuring act in the form of an interview. In: Orley, Emily and Hilevaara, Katja (eds.) The Creative Critic. Routledge, London, pp. 88-94. ISBN 9781138674820 (Accepted)

Corrieri, Augusto (2017) 'The impossible magic show'. In: Sack, Daniel (ed.) Imagined theatres: writing for a theoretical stage. Routledge, New York, p. 116. ISBN 9781138122048

Corrieri, Augusto (2017) 'The night everything happened'. In: Sack, Daniel (ed.) Imagined theatres: writing for a theoretical stage. Routledge, New York, p. 144. ISBN 9781138122048

Corrieri, Augusto (2017) The rock, the butterfly, the moon, and the cloud: notes on dramaturgy in an ecological age. In: Georgelou, Konstantina, Theodoridou, Danae and Protopapa, Efrosini (eds.) The Practice of Dramaturgy: Working on Actions in Performance. Valiz, Amsterdam. ISBN 9789492095183

Conference or Workshop Item

Bailes, Sara Jane (2014) Art should be experienced in a place that allows staying': hosting as a practice - Glasshouse ArtLifeLab, Brooklyn, NY. In: London Theatre Seminar, Kings College London, 13 November 2014, Senate House, Kings College, Bloomsbury.

Price, Jason (2016) Popular forms and the new sensibility: the mingling of high and low culture in postmodern performance. In: Theatre and the Popular, 11-13 March 2016, University of Iceland.

Book

Butt, Gavin, ed. (2011) Performing/knowing. Art-writing-research, 3 . Article Press, Birmingham, UK. ISBN 9781873352052

Butt, Gavin and Rogoff, Irit (2013) Visual cultures as seriousness. Visual cultures as . Sternberg Press, Berlin. ISBN 9783943365399

Corrieri, Augusto (2016) In place of a show: what happens inside theatres when nothing is happening. Bloomsbury Methuen Drama, London, UK. ISBN 9781474256735

Edited Book

Bailes, Sara Jane and Till, Nicholas, eds. (2014) Beckett and musicality. Ashgate, Farnham, Surrey, England/Burlington, US. ISBN 9781472409638

Thesis

Droth, Barbara Elektra (2014) Live art, life art: a critical-visual study of three women performance artists and their documentation. Doctoral thesis (PhD), University of Sussex.

Westling, Carina E I (2017) The making of postdigital experiential space: Punchdrunk Company 2011-2014. Doctoral thesis (PhD), University of Sussex.

Show/Exhibition

Bailes, Sara Jane (2015) Negative space. [Show/Exhibition]

Performance

Corrieri, Augusto (2017) Fake magic. [Performance]

Video

Butt, Gavin and Walters, Ben (2013) This is not a dream. [Video]

Other

Bailes, Sara Jane (2014) Marvyn Gaye Chetwynd and Sara Jane Bailes, in conversation, Nottingham Contemporary. Nottingham Contemporary, Online, Nottingham Contemporary archives, video recording.

Butt, Gavin, Heathfield, Adrian and Keidan, Lois (2013) Performance matters archive. Live Art Development Agency, London.