Article

Galt, Rosalind (2010) Impossible narratives: the Barcelona School and the European avant-gardes. Hispanic Review, 78 (4). pp. 491-511. ISSN 0018-2176

Galt, Rosalind (2010) Perverse aesthetics: Maria Beatty, masochism and the cinematic. World Picture, 4. ISSN 1938-1700

Galt, Rosalind (2009) Pretty: film theory, aesthetics, and the history of the troublesome image. Camera Obscura, 24 (2). pp. 1-41. ISSN 0270-5346

Galt, Rosalind (2008) The obviousness of cinema. World Picture, 2. ISSN 1938-1700

Galt, Rosalind (2007) Missed encounters: reading, catalanitat, the Barcelona School. Screen, 48 (2). pp. 193-210. ISSN 0036-9546

Galt, Rosalind (2006) Mapping Catalonia in 1967: the Barcelona School in global context. Senses of Cinema (41). pp. 1-15. ISSN 1443-4059

Galt, Rosalind (2006) "It's so cold in Alaska": evoking exploration between Bazin and 'The Forbidden Quest'. Discourse, 28 (1). pp. 53-71. ISSN 1522-5321

Galt, Rosalind (2005) Back projection: visualizing past and present Europe in 'Zentropa'. Cinema Journal, 45 (1). pp. 3-21. ISSN 0009-7101

Galt, Rosalind (2002) Italy's landscapes of loss: historical mourning and the dialectical image in 'Cinema Paradiso', 'Mediterraneo' and 'Il Postino'. Screen, 43 (2). pp. 158-173. ISSN 0036-9543

Book Section

Galt, Rosalind (2013) The prettiness of Italian cinema. In: Bayman, Louis and Rigoletto, Sergio (eds.) Popular Italian cinema. Palgrave Macmillan, Houndmills. ISBN 9780230300163

Galt, Rosalind (2012) Brash... indecent... libertine: Derek Jarman's queer colours. In: Brown, Simon, Street, Sarah and Watkins, Liz L (eds.) Colour and the moving image: history, theory, aesthetics, archive. AFI film readers . Routledge, London. ISBN 9780415892636

Galt, Rosalind (2012) Jolie laide: Fassbinder, anti-semitism, and the Jewish image. In: Peucker, Brigitte (ed.) A companion to Rainer Werner Fassbinder. Wiley-Blackwell Companions to Film Directors . Wiley-Blackwell, Chichester, pp. 485-501. ISBN 9781405191630

Galt, Rosalind (2011) On L'avventura and the picturesque. In: Rascaroli, Laura and Rhodes, John David (eds.) Antonioni: Centenary Essays. Palgrave Macmillan, New York, pp. 134-153. ISBN 978-1-84457-384-4

Galt, Rosalind (2011) Doing away with words: synaesthetic dislocations in Okinawa and Hong Kong. In: Rhodes, John David and Gorfinkel, Elena (eds.) Taking place: location and the moving image. University of Minnesota Press, Minneapolis, pp. 277-298. ISBN 9780816665167

Galt, Rosalind (2011) On L'Avventura and the picturesque. In: Rascaroli, Laura and Rhodes, John David (eds.) Antonioni: centenary essays. British Film Institute, London. ISBN 9781844573851

Galt, Rosalind (2010) The functionary of mankind: Michael Haneke and Europe. In: Price, Brian and Rhodes, John David (eds.) On Michael Haneke. Wayne State University Press, Detroit, pp. 221-244. ISBN 9780814334058

Galt, Rosalind (2008) Between the ornament and the corpse: Adolf Loos and classical film theory. In: Trifonova, T (ed.) European film theory. Routledge, London, pp. 195-210. ISBN 9780415960434

Book

Galt, Rosalind (2011) Pretty: film and the decorative image. Columbia University Press, New York. ISBN 9780231153478

Galt, Rosalind (2006) The new European cinema: redrawing the map. Columbia University Press, New York. ISBN 9780231137171

Edited Book

Galt, Rosalind and Schoonover, Karl (2010) Global art cinema: new theories and histories. Oxford University Press, Oxford. ISBN 9780195385632