Article

Grant, Catherine (2015) Film studies in the groove? Rhythmising perception in Carnal Locomotive. NECSUS. European Journal of Media Studies, 4 (1). pp. 85-90. ISSN 2213-0217

Grant, Catherine and Keathley, Christian (2014) The use of an illusion: childhood cinephilia, object relations, and videographic film studies. Photogénie. ISSN 2295-5461

Grant, Catherine (2014) Becoming “Arturo Ripstein”? On collaboration and the “author function” in the transnational film adaptation of El lugar sin límites. Mediático [weblog article, 27 January 2014].

Grant, Catherine (2014) The shudder of a cinephiliac idea? Videographic film studies practice as material thinking. ANIKI: Portuguese Journal of the Moving Image, 1 (1). pp. 49-62. ISSN 2183-1750

Grant, Catherine (2013) Deja viewing?: videographic experiments in intertextual film studies. Mediascape : UCLA's Journal of Cinema and Media Studies. ISSN 1558-478X

Grant, Catherine (2013) Deja-viewing. FilmIdee (6). ISSN 2239-6934

Grant, Catherine (2013) Notes on mirror visions in 'Modesty Blaise'. La Furia Umana (17). ISSN 2255-2812

Grant, Catherine (2012) Film and moving image studies: re-born digital? Some participant observations. Frames, 1 (1).

Grant, Catherine (2011) El fotógrafo del pánico / código desconocido [True Likeness: on peeping tom and code unknown]. Transit: cine y otros desvios.

Grant, Catherine (2002) La función de "los autores": la adaptación cinematográfica transnacional de El lugar sin límites. Revista Iberoamericana, 68 (199). pp. 253-268. ISSN 0034-9631

Grant, Catherine (2002) Recognizing 'Billy Budd' in 'Beau Travail': epistemology and hermeneutics of an auteurist 'free' adaptation. Screen, 43 (1). pp. 57-73. ISSN 0036-9543

Grant, Catherine (2002) [Review] Emma Wilson (2000) Memory and survival: the French cinema of Krzysztof Kieslowski. Film studies: an international review. ISSN 1469-0314

Grant, Catherine (2001) Secret agents: feminist theories of women's film authorship. Feminist Theory, 2 (1). pp. 113-130. ISSN 1464-7001

Grant, Catherine (2000) [Review] Michael T. Martin, ed. (1997) New Latin American cinema: volume one - theory, practices and transcontinental articulations; Michael T. Martin, ed. (1997) New Latin American cinema: volume two - studies of national cinemas; Robert Stam (1997) Tropical multiculturalism: a comparative history of race in Brazilian cinema and culture; Donald F. Stevens, ed. (1997) Based on a true story: Latin Amercian history at the movies; Ismail Xavier (1997) Allegories of underdevelopment: aesthetics and politics in modern Brazilian cinema. Screen, 41 (3). pp. 339-347. ISSN 0036-9543

Grant, Catherine (2000) www.auteur.com? Screen, 41 (1). pp. 101-108. ISSN 0036-9543

Grant, Catherine (1997) Camera solidaria. Screen, 38 (4). pp. 311-328. ISSN 0036-9543

Grant, Catherine (1997) [Review] Elizabeth Fox (1997) Latin American broadcasting: from Tango to Telenovela and Foro Hispánico volume 10 (1995) Ibero-America y el cine. Screen, 38 (4). pp. 398-403.

Grant, Catherine (1996) A private revolution? Alejandra Pizarnik's 'La bucanera de Pernambuco o Hilda la polígrafa'. Journal of Latin American Cultural Studies, 5 (1). pp. 65-82. ISSN 1356-932

Grant, Catherine (1995) [Review] Cynthia Steele (1992) Gender, politics and culture in Mexico, 1968-1988: beyond the pyramid. Bulletin of Hispanic Studies, 72 (4). p. 456. ISSN 1478-3398

Grant, Catherine (1994) "Queer theorrhea" (and what it all might mean for feminists). Trouble and Strife (29-30). pp. 39-45. ISSN 1352-027X

Book Section

Grant, Catherine (2008) Auteur machines? Auteurism and the DVD. In: Bennett, J and Brown, T (eds.) Film and television after DVD. Routledge, London, pp. 101-115. ISBN 0415962412

Kuhn, Annette and Grant, Catherine (2006) Screening world cinema. In: Grant, Catherine and Kuhn, Annette (eds.) Screening world cinema: a Screen reader. Screen readers . Routledge. ISBN 0415384281

Grant, Catherine (2004) Home-movies: the curious cinematic collaboration of Anne-Marie Miéville and Jean-Luc Godard. In: Temple, Michael, Williams, James S and Witt, Michael (eds.) For ever Godard. Black Dog Publishing, London, pp. 100-117. ISBN 9781901033694

Grant, Catherine (2003) Still moving images: images of the disappeared in films about the dirty war in Argentina. In: Hughes, A and Noble, A (eds.) Phototextualities: intersections of photography & narrative. University of Minnesota Press. ISBN 0826328253

Grant, Catherine (2000) Intimista transformations: María Luisa Bemberg's first feature films. In: King, J, Whittaker, S and Bosch, R (eds.) An Argentine passion: Maria Luisa Bemberg and her films. Verso, London. ISBN 1859847889

Grant, Catherine (2000) Still moving images: photographs of the disappeared in films about the "dirty war" in Argentina. In: Hughes, Alex and Noble, Andrea (eds.) Phototextualities: intersections of photography and narrative. University of New Mexico Press, Albuquerque, pp. 63-86. ISBN 9780826328250

Grant, Catherine (1999) Los de abajo and cinema: an approximate comparison. In: Stewart, Miranda (ed.) Viajes por España y America Latina. University of Strathclyde, Glasgow, pp. 30-49. ISBN 9780951416457

Grant, Catherine (1997) Giving up ghosts: Eliseo Subiela's Hombre mirando al sudeste and No te mueras sin decirme a dónde vas. In: Rix, Rob and Rodríguez-Saona, Roberto (eds.) Changing reels: Latin American cinema against the odds. Leeds Iberian Papers . Trinity and All Saints University College, Leeds, pp. 89-120. ISBN 9780952563631

Grant, Catherine (1997) Olga Orozco. In: Smith, V (ed.) Encyclopedia of Latin American literature. Fitzroy Dearbon, London, pp. 602-603. ISBN 9781884964183

Grant, Catherine (1997) Rosario Castellanos. In: Smith, V (ed.) Encyclopedia of Latin American literature. Fitzroy Dearbon, Chicago, pp. 181-183. ISBN 9781884964183

Grant, Catherine (1996) "Queer theorrhea" (and what it all might mean for feminists). In: Jackson, S and Scott, S (eds.) Feminism and sexuality: a reader. Columbia Press, New York, pp. 166-171. ISBN 9780231107099

Grant, Catherine (1996) Gender, genre and the social imaginary in some films from Argentina's 'cinema of redemocratization' (1983-1993). In: Rodgers, Eamonn (ed.) Cinema and ideology. Strathclyde Modern Language Studies, Glasgow, pp. 17-33. ISBN 9780951416426

Grant, Catherine (1993) Women or words? The indigenous nodriza in the work of Rosario Castellanos. In: Davies, C (ed.) Women writers in twentieth-century Spain and Spanish America. Edwin Mellen Press, Lewiston, NY, pp. 85-100. ISBN 0889464235

Conference or Workshop Item

Grant, Catherine (2005) World cinema and its limits. In: Screen Studies Conference, University of Glasgow.

Grant, Catherine (2001) The director must not be credited: authorship, auteurism and the Films of Dogme '95'. In: Annual Conference of the Society for Cinema Studies, Washington DC.

Grant, Catherine (2000) Entertainment and Dystopia: Music and Performance in El lugar sin límites. In: Conference on Music and Film, University of Newcastle.

Grant, Catherine (1999) The "new auteurism"? In: Screen Studies Conference, June 1999., University of Glasgow.

Grant, Catherine (1998) Representations of Eva Perón: whiteness, death, femininity. In: Society of Latin American Studies Annual Conference, University of Liverpool.

Grant, Catherine (1997) Camera solidaria: Jeanine Meerapfel's la amiga. In: Screen Studies Conference, 27-29 June 1997, University of Glasgow.

Grant, Catherine (1997) Identification, Solidarity and Jeanine Meerapfel¿s La amiga (Argentina, 1988). In: Society of Latin American Studies Annual Conference, University of St. Andrews.

Grant, Catherine (1996) Hybridity, abjection and 'La hora de los hornos' ('Hour of the Furnaces') 1968-1973. In: Film, Culture, History Conference, University of Aberdeen.

Grant, Catherine (1995) Imaginary spaces and the light fantastic: the films of the Argentine director, Liseo Subiela. In: Annual Conference of Association of Hispanists of Great Britain and Ireland, University of Aberdeen.

Grant, Catherine (1994) [Des]entendida: avowal and disavowal in texts by and about Alejandra Pizarnik. In: Women Writers in Latin America: Readings and Approaches Conference, Institute of Latin American Studies, London.

Grant, Catherine (1993) Writing female transcendence: Alejandra Pizarnik's La condesa sangrienta. In: Annual Conference of the Association of Hispanists of Great Britain and Ireland, University of Liverpool.

Edited Book

Grant, Catherine and Kuhn, Annette, eds. (2006) Screening world cinema: a screen reader. Screen readers . Routledge, London. ISBN 0415384281

Edited Special Journal Issue

Grant, Catherine, ed. (2012) Film and moving image studies re-born digital? Frames Cinema Journal, 1 (1). ISSN 2053-8812

Grant, Catherine and Stacey, Jackie, eds. (1997) Special Latin American issue. Screen, 38 (4). ISSN 0036-9543

Other

Grant, Catherine (2012) Bonus Tracks: The making of 'Touching the film object' and 'Skipping ROPE (through Hitchcock’s joins)'. University of St. Andrews, Film Studies.