Article

Till, Nicholas (2018) “A Free and Knightly Art”: Monteverdi’s Toccata for Orfeo and the neo-chivalric ideal in early seventeenth-century Italy. Journal of Seventeenth Century Music. ISSN 1089-747X (Accepted)

Till, Nicholas (2017) Pop Star to Opera Star: labour, skill and value in musical performance. Studies in Musical Theatre, 10 (2). pp. 209-226. ISSN 1750-3159

Till, Nicholas (2015) [Review] David Roesner (2013) Musicality in theatre: music as model, method and metaphor in theatre-making. Music and Letters, 96 (2). pp. 304-306. ISSN 0027-4224

Till, Nicholas (2015) Joy in repetition: critical genealogies of musical minimalism. Performance Research, 20 (5). pp. 134-137. ISSN 1352-8165

Till, Nicholas (2015) Theses for a sceno-sonic turn. Theatre and Performance Design, 1 (1-2). pp. 107-125. ISSN 2332-2551

Till, Nicholas (2014) [Review] Rosamund Bartlett, Sarah Daswell (eds.) (2012) Victory over the sun: the world's first futurist opera. Music and Letters, 95 (1). pp. 116-229. ISSN 0027-4224

Till, Nicholas (2014) [Review] Mauro P. Calcagno (2012) From madrigal to opera: Monteverdi’s staging of the self. Renaissance Quarterly, 67 (3). pp. 1053-1054. ISSN 0034-4338

Till, Nicholas (2013) Stefano Gervasoni's Pas si: staging a music theatre work based on a text by Samuel Beckett. Contemporary Theatre Review, 23 (2). pp. 220-232. ISSN 1048-6801

Till, Nicholas (2011) [Review] Michael Freyhan (2009) The authentic Magic Flute libretto: Mozart's autograph or the first full-score edition? Music and Letters, 92 (3). pp. 484-486. ISSN 1477-4631

Till, Nicholas (2010) [Review] David J. Buch (2008) Magic flutes & enchanted forests: the supernatural in eighteenth-century musical theater. Music and Letters, 91 (2). pp. 263-266. ISSN 0027-4224

Till, Nicholas (2009) [Review] Wolfgang Amadeus Mozart (c. 1790) Cosi fan Tutte. Opera Quarterly, 25 (1-2). pp. 145-149. ISSN 0736-0053

Till, Nicholas (2005) On the Difficulty of Saying 'We': The Unheimliche Heimat in the Music Theatre of Christoph Marthaler. Contemporary Theatre Review, 15 (2). pp. 219-233. ISSN 1477-2264

Till, Nicholas, Chamberlain, F, Ellis, S, Mock, R and Whelan, JC (2004) Reflections on Practice as Research following the PARIP Conference 2003. Studies in Theatre and Performance, 24 (2). pp. 129-141. ISSN 14682761

Till, Nicholas (2004) 'First-Class Evening Entertainments': Spectacle and Social Control in a Mid-Victorian Music-Hall. New Theatre Quarterly, 20 (1). pp. 3-18. ISSN 0266-464X

Till, Nicholas (2004) 'I don't mind if something's operatic, just as long as its not opera: A Critical Practice for New Opera and Music Theatre. Contemporary Theatre Review, 14 (1). 15-24.. ISSN 1477-2264

Till, Nicholas (1998) The Spectator as Performer: Thomas Schutte at the Whitechapel Art Gallery. Performance Research, 3 (2). pp. 112-117. ISSN 1352-8165

Till, Nicholas (1998) The Uses of Gravity: The Everyday Sublime in the Work of Station House Opera. Architectural Design, 68 (7-8). pp. 12-15. ISSN 0003-8504

Till, Nicholas (1996) The Ear of Man Hath Not Seen: Reflections on Varese's Deserts with video by Bill Viola and Christian Boltankski's staging of Schubert's Winterreise. Performance Research, 3 (1). pp. 91-93. ISSN 1352-8165

Book Section

Till, Nicholas (2016) “Sound Houses”: music, architecture, and the postmodern sonic. In: Oxford handbook of sound and image in western art. Oxford University Press, pp. 163-191. ISBN 9780199841547

Till, Nicholas (2015) Foreword: Heiner Goebbels: a composer who composes theatre. In: Collins, Jane (ed.) Aesthetics of absence : texts on theatre. Routledge, Abingdon, vii-xi. ISBN 9780415831048

Till, Nicholas (2013) A new glimmer of light: opera, metaphysics and mimesis. In: Symonds, Dominic and Karantonis, Pamela (eds.) The legacy of opera: reading music theatre as experience and performance. Themes in theatre (7). Rodopi, Amsterdam, pp. 39-64. ISBN 9789042036918

Till, Nicholas (2012) Hearing voices: transcriptions for the phonogram of a schizophrenic: music-theatre for performer and audio-visual media. In: Rebstock, Matthias and Roesner, David (eds.) Composed theatre: aesthetics, practices, processes. Intellect Books, Bristol and Chicago, pp. 185-199. ISBN 9781841504568

Till, Nicholas (2011) Orpheus Conquistador. In: Opera Indigene: Re/Presenting First Nations and Indigenous Cultures. Ashgate, pp. 15-30. ISBN 978-0-7546-6989-0

Till, Nicholas (2010) Idomeneo and the background of the Enlightenment. In: Kahn, G (ed.) Wolfgang Amadeus Mozart: Idomeneo. OneWorld Classics. ISBN 9781847495396

Till, Nicholas (2010) "Oh, to make boardes to speak!". In: Collins, J and Nisbet, A (eds.) Theatre and Performance Design: A Reader in Scenography. Routledge, pp. 154-161. ISBN 978-0-415-43210-8

Till, Nicholas (2009) Stefano Gervasoni - Pas si. In: Ferrari, G (ed.) Pour une scene actuelle. L'Harmatton. ISBN 9782296107113

Till, Nicholas (2007) Modernity, Modernism and the Aporias of Opera. In: Ferrari, G (ed.) LA MUSIQUE ET LA SCÈNE: L'Ecriture musicale et son expression scenique au xxe siecle. L'Harmatton, Paris, 102-114.. ISBN 978-2-296-04492-0

Till, Nicholas (2006) Investigating the Entrails: Post-Operatic Music Theatre in Europe. In: Ridout, N and Kelleher, J (eds.) Contemporary Theatres in Europe: A Critical Companion. Routledge, pp. 34-46. ISBN 978-0-415-32940-8

Till, Nicholas (2006) Investigating the entrails: Post-Operatic Music Theatre in Europe. In: Kelleher, J and Ridout, N (eds.) Contemporary Theatres in Europe: A Critical Companion. Routledge, pp. 34-46. ISBN 978-0415329408

Till, Nicholas (2005) Space, Time and Gender in the Film d'Art Carmen of 1910. In: Perrian, C and Davies, A (eds.) Carmen: from Silent Film to MTV. Rodopi, pp. 9-21. ISBN 978-90-420-1964-5

Till, Nicholas (2003) Heiner Goebbels: Ein Strassenkampfer. In: Rogger, B (ed.) Composers-in-Residence: Lucerne Festival, Sommer 2003. Stroemfeld Verlag. ISBN 978-3-87877-932-2

Book

Till, Nicholas (1992) Mozart and the Enlightenment: Truth, Virtue and Beauty in Mozart's Operas. Faber and Faber/W.W,Norton (USA) W. W. Norton & Co.; Reprint edition (30 Jun 1995). ISBN 978-0393313956

Till, Nicholas (1985) The Life and Times of Rossini. Midas Books. ISBN 0711909881

Edited Book

Bailes, Sara Jane and Till, Nicholas, eds. (2014) Beckett and musicality. Ashgate, Farnham, Surrey, England/Burlington, US. ISBN 9781472409638

Till, Nicholas (2012) The Cambridge companion to opera studies. Cambridge companions to music . Cambridge University Press, Cambridge. ISBN 9780521671699

Show/Exhibition

Till, Nicholas and Cook, Kandis (2007) The National Taste: site-specific audio-visual installation,. [Show/Exhibition]

Performance

Till, Nicholas (2008) Pas Si. Production of music theatre work by Stefano Gervasoni. [Performance]

Till, Nicholas (2006) Hearing Voices: Transcriptions of the Phonogram of a Schizophrenic. For soprano and audio-visual media. [Performance]

Till, Nicholas (2004) Agamemnon Takes a Bath: libretto for opera by Hilda Paredes. [Performance]

Till, Nicholas (2003) At Home with Art (revised version). [Performance]

Till, Nicholas (2001) At Home with Art: Music Theatre for performer and CD player. [Performance]

Till, Nicholas (2000) First Class Evening Entertainments: Rational Recreation for three performance artists, vocal quartet and electronic sound. [Performance]

Till, Nicholas (1999) Silent Movie Opera (Carmen, 1910): Music Theatre for three singers, electronics and video. [Performance]

Till, Nicholas (1998) Songs of Love & Desire: Music Theatre based on Monteverdi's Fourth Book of Madrigals for four solo voices and electronics. [Performance]